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The Rolling Stones

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-{{Infobox Musique (artiste)+{{redirect|Rolling Stones|other uses}}
-|charte couleur = groupe+{{Infobox musical artist
-|Nom= The Rolling Stones+| Name = The Rolling Stones
-|Image = [[Image:The Rolling Stones.JPG|270px]]+| Img = RollingStonesNice080806.jpg
-|Légende = Les Rolling Stones lors de leur concert à [[Munich]] en [[juillet 2006]], alors qu'une partie de la scène avançait dans la foule.+| Img_capt = The Rolling Stones, 2006.
-|Pays = [[Londres]] <br> {{Angleterre}}+| Img_size =
-|Années d'activité = [[1962 en musique|1962]]—présent+| Landscape = yes
-|GenreMusical = [[Rhythm and blues]] <br> [[Rock 'n' roll]] <br> [[Blues]]+| Background = group_or_band
-|Label = [[Decca]] <br> [[EMI Group|EMI]] <br> [[Virgin Records|Virgin]]+| Alias = The Stones
-|SiteOfficiel = [http://www.rollingstones.com www.rollingstones.com]+| Origin = [[London]], [[England]]
-|Membres = [[Mick Jagger]] <br> [[Keith Richards]] <br> [[Charlie Watts]] <br> [[Ron Wood]]+| Genre = [[Rock music|Rock]], [[Rock and roll]], [[blues]], [[Country music|country]], [[rhythm and blues|R&B]], [[psychedelic rock]]
-|Ex-Membres = [[Brian Jones (musicien)|Brian Jones]] <br> [[Mick Taylor]] <br> [[Bill Wyman]]<br> [[Dick Taylor]]+| Years_active = 1962–present
-|Entourage = [[Ian Stewart (musicien)|Ian Stewart]] <br> [[Billy Preston]] <br> [[Nicky Hopkins]] <br> [[Marianne Faithfull]] <br> Chuck Leavell <br> Darryl Jones <br> Bobby Keys <br> Lisa Fischer <br> [[Andrew Loog Oldham]] <br> [[Jimmy Miller]] <br> [[Allen Klein]]+| Label = [[Decca Records|Decca]], [[Rolling Stones Records|Rolling Stones]], [[Virgin Records|Virgin]]
 +| Associated_acts =
 +| URL = [http://www.rollingstones.com/home.php RollingStones.com]
 +| Current_members = [[Mick Jagger]]<br/>[[Keith Richards]]<br/>[[Charlie Watts]]<br/>[[Ron Wood|Ron Wood]]
 +| Past_members = [[Bill Wyman]]<br/>[[Brian Jones]]<br/>[[Mick Taylor]]<br/>[[Ian Stewart (musician)|Ian Stewart]]<br/>[[Dick Taylor]]
}} }}
-'''Les Rolling Stones''' est un groupe de [[rock 'n' roll]] [[Angleterre|britannique]] créé dans les [[années 1960]] par Brian Jones. Le nom du groupe vient d'une chanson de [[Muddy Waters]], ''Manish Boy''. Le [[blues]] a toujours été la source d'inspiration principale des Stones, qui ont été l'un des principaux acteurs du retour de cette musique sur le devant de la scène, à travers le [[British Blues Boom]]. 
-== Membres du groupe ==+'''The Rolling Stones''' are an [[England|English]] band whose [[rhythm and blues]] and [[rock & roll]]- based music became popular during the "[[British Invasion]]" in the early [[1960s]].<ref name=rockhall>{{cite web| last =| first =| title = The Rolling Stones Biography| work = Rock and Roll Hall of Fame and Museum| publisher = The Rock and Roll Hall of Fame and Museum, Inc. | url = http://www.rockhall.com/inductee/the-rolling-stones| accessdate = 2006-06-01}}</ref>
-Le groupe original était formé de :+The band was formed in London in 1962 by original leader [[Brian Jones]], but was eventually led by the songwriting partnership of singer [[Mick Jagger]] and guitarist [[Keith Richards]]. Pianist [[Ian Stewart (musician)|Ian Stewart]], drummer [[Charlie Watts]] and bassist [[Bill Wyman]] completed the early lineup. Ian Stewart was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985. The band's early albums were mainly covers of American [[blues]] and [[rhythm and blues|R&B]] songs. The band's single, "[[(I Can't Get No) Satisfaction]]," established the Stones as a premier rock and roll act.<ref>[http://wm04.allmusic.com/cg/amg.dll?p=amg&token=&sql=33:wbfuxx9sldje "(I Can't Get No) Satisfaction"]''[[allmusic]]'', accessed [[14 December]] [[2007]]</ref> Starting with their 1966 album ''[[Aftermath (album)|Aftermath]]'', the songs of Jagger and Richards aided by the instrumental experimentation of Jones expanded an always present stylistic flexibilty. Jones died in 1969 shortly after being fired from the band and was replaced by [[Mick Taylor]]. After Taylor quit in 1974, former [[The Faces|Faces]] guitarist [[Ron Wood]] took over. Wyman retired in 1993 being replaced by [[Darryl Jones]], who is not an official member.
-* [[Mick Jagger]] ([[chant]])+The band has released 55 albums of original work<ref>{{cite web | title = Rolling Stones Discography | work = All Music Guide| publisher = All Media Guide| url = http://www.allmusic.com/cg/amg.dll?p=amg&searchlink=ROLLING|STONES&sql=11:e2ja7i6jg75r~T2 | accessdate = 2006-12-21 }}</ref> and compilations, and have had 32 U.K & U.S top-10 singles.<ref>{{cite web| last = Paulson| first = John| title = Deep Cuts: The Essential Stones| work = Deep Cuts| publisher = Bullz Eye Music| url = http://www.bullz-eye.com/music/deep_cuts/2005/rolling_stones_essentials.htm| accessdate = 2006-12-21 }}</ref> They have sold more than 200 million albums worldwide.<ref>[http://www.abo.fi/~jbacklun/moneymen.htm "Everything is turning to gold", Record sales of the Rolling Stones.]</ref> 1971's ''[[Sticky Fingers]]'' began a string of eight consecutive studio albums at number one in the United States. In 1989 the Rolling Stones were inducted into the American [[Rock and Roll Hall of Fame]], and in 2004 they were ranked number 4 in ''[[Rolling Stone]]'' magazine's [http://www.rollingstone.com/news/story/5939214/the_idgjmmortals_the_first_fifty/ 100 Greatest Artists of All Time].<ref>{{cite web| title = The Immortals: The First Fifty| work = Rolling Stone Issue 946| publisher = Rolling Stone| url =http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty
-* [[Keith Richards]] ([[guitare rythmique]])+| accessdate = 2006-12-21 }}</ref> They are also ranked as the number 2 artists of all time on [[Acclaimed Music|Acclaimedmusic.net]].<ref>{{cite web| title = The Top 1000 Artists of All Time | publisher = Acclaimedmusic.net| url =http://acclaimedmusic.net/Current/1948-09art.htm
-* [[Brian Jones (musicien)|Brian Jones]] ([[guitare solo]])+| accessdate = 2007-12-14 }}</ref> Their latest album, ''[[A Bigger Bang]]'', was released in 2005 and accompanied by [[A Bigger Bang Tour|their highest-grossing tour]], which lasted into late summer 2007. During the [[The Rolling Stones American Tour 1969|1969 American tour]], tour manager Sam Cutler introduced them as ''"The Greatest Rock and Roll Band in the World"''<ref name=AMG />, a title which has remained. Their image of unkempt and surly youth is one that many musicians still emulate.<ref name=AMG>{{cite web| last =Erlewine| first = Stephen Thomas| title = Rolling Stones Biography| work = All Music Guide| publisher = All Media Guide| url = http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:aifoxqr5ldje~T1| accessdate = 2006-12-21 }}</ref>
-* [[Ian Stewart (musicien)|Ian Stewart]] ([[piano]])+
-* [[Charlie Watts]] ([[Batterie (musique)|batterie]])+
-* [[Bill Wyman]] ([[guitare basse|basse]])+
-Ian Stewart sera écarté par leur premier manager [[Andrew Loog Oldham]] avant même leur premier [[single (musique)|single]]. Il restera néanmoins le pianiste — non exclusif — sur les disques, et sera jusqu'à sa mort le « ''road manager'' » du groupe et le « sixième Stone ».+==Band history==
 +===Founding: 1960-1962===
 +In 1951 Keith Richards and Mick Jagger were classmates at Wentworth Primary School, which is still around today.<ref>[http://www.stonesplanet.com/biography.htm "Biography of the Stones"]</ref> They met again in 1960 while Richards was attending [[Sidcup Art College]].<ref name=stonemag >{{cite web| last =| first =| title = The Rolling Stones Biography| work = Rolling Stone| publisher = Rolling Stone magazine | url = http://www.rollingstone.com/artists/therollingstones/biography| accessdate = 2006-06-06}}</ref>
 +Richards recalled "I was still going to school, and he was going up to the [[London School of Economics]]... So I get on this train one morning, and there's Jagger and under his arm he has four or five albums... He's got Chuck Berry and Little Walter, Muddy Waters"<ref name=RSkeith >{{cite book |last= Greenfield|first= Robert|authorlink= |coauthors=|title= The Rolling Stone Interviews - Keith Richards|year= 1981|publisher= St. Martin's Press/Rolling Stone Press|location= New York|isbn= 0-312-68954-3}}</ref> With mutual friend [[Dick Taylor]] (later of [[Pretty Things]]), they formed the band Little Boy Blue and the Blue Boys.<ref name=stonemag /> Stones founders Brian Jones and pianist [[Ian Stewart (musician)|Ian Stewart]] were active in the London R&B scene fostered by [[Cyril Davies]] and [[Alexis Korner]]. Jagger and Richards met Jones while he was playing slide guitar sitting in with Korner's [[Blues Incorporated|Blues Inc.]] Korner also had hired Jagger periodically and frequently future Stones drummer [[Charlie Watts]].<ref name=rockhall /> Their first rehearsal was organized by Jones and included Stewart, Jagger and Richards - the latter came along at Jagger's invitation. In June [[1962]] the lineup was: Jagger, Richards, Stewart, Jones, Taylor, and drummer Tony Chapman. Taylor then left the group. Jones renamed the band The Rollin' Stones, after the song "[[Rollin' Stone]]" by [[Muddy Waters]].<ref name=AMG /><ref>{{cite web| title = Muddy Waters:Rollin' Stone| work = Rolling Stone.com| publisher = Rolling Stone| url = http://www.rollingstone.com/artists/muddywaters/articles/story/6596304/rollin_stone| accessdate = 2006-12-21 }}</ref>
-== Histoire du groupe ==+=== 1962-1964 ===
-=== Création et débuts ===+[[Image:rstones5.jpg|thumb|left|The Rolling Stones, c. 1963.]]
-En octobre 1960, [[Mick Jagger]] et [[Keith Richards]], deux amis d'enfance — ils ont fréquenté la même école depuis leur maternelle —, qui s'étaient un peu perdus de vue, se retrouvent sur le quai de la gare de [[Dartford]]. Mick a des disques avec lui, dont le ''Best of Muddy Waters'', ce qui incite Keith à venir lui parler. Mick invitera Keith à le rejoindre dans son groupe tout juste naissant, ''Little Boy Blue & The Blues Boys''. Keith viendra avec son ami [[Dick Taylor]].+On [[12 July]] [[1962]] the group played its first formal gig at the Marquee club in central London (the first had been an informal performance in Ealing, west London), billed as "The Rollin' Stones".<ref name=according >{{cite book |last= Loewenstein|first= Dora|authorlink=|coauthors= Philip Dodd|title= According to the Rolling Stones|year= 2003|publisher= Chronicle Books|location= San Francisco|isbn= 0-8118-4060-3 }}</ref> The line-up was Jagger, Richards, Jones, Stewart on piano, Taylor on bass and Tony Chapman on drums. Jones intended for the band to play primarily Chicago blues, but Jagger and Richards brought the rock 'n roll of [[Chuck Berry]] and [[Bo Diddley]] to the band.{{Fact|date=August 2007}} Bassist [[Bill Wyman]] joined in December and drummer [[Charlie Watts]] the following January to form the Stones' long standing [[rhythm section]].<ref name=according /><ref name=stonemag />
-[[Brian Jones (musicien)|Brian Jones]], grand amateur de blues, joue déjà avec le pianiste [[Ian Stewart (musicien)|Ian Stewart]]. Tous deux fréquentent assidûment le ''Ealing Club'', un club de [[jazz]] de la banlieue ouest de [[Londres]], dans lequel Mick, en plus de son petit groupe, y chante aussi dans les [[Blues Incorporated]] d'[[Alexis Korner]], qui ont pour batteur un certain [[Charlie Watts]].+
-Brian sera l'artisan de leur rencontre ; le blues et le r'n'b en seront les fondations.+
-Après un hiver difficile pour Mick, Keith et Brian, passé en colocation avec un certain James Phelge<ref>Nom qui servira de base au pseudonyme ''[[:en:Nanker Phelge|Nanker Phelge]]'' utilisé par les Stones à leur début pour certains de leurs titres.</ref> au désormais célèbre 102 Edith Grove à [[Londres]], avec comme ultimes ressources les maigres cachets de quelques petits concerts, les Stones sont enfin prêts à devenir pro.+The Stones' first manager [[Giorgio Gomelsky]] booked the band to play at his Crawdaddy Club <ref name=stonemag /> for what became an eight-month residency during which their fan base grew to include the [[The Beatles]]. The Beatles in turn recommended the Stones to their publicist [[Andrew Loog Oldham]]{{Fact|date=August 2007}}, who promptly signed the band to a management deal with his partner and veteran booker Eric Easton. (Gromelsky -who had no written agreement with the band - was not consulted.) [[George Harrison]] likewise persuaded [[Dick Rowe]] of [[Decca Records]] (who came to regret turning down the Beatles) that he should sign the Stones.<ref>[http://www.bbc.co.uk/music/artist/nh3n/ "Everything You Need to know about The Rolling Stones] ''[[BBC]]''.</ref> Their first [[Extended play|EP]], ''[[The Rolling Stones (EP)|The Rolling Stones]]'' and album (also titled ''[[The Rolling Stones (album)|The Rolling Stones]]'', titled in US ''[[England's Newest Hit Makers]]''), were composed primarily of covers drawn from the band's live repertoire. A notable hit from the album was the band's first Top 40 single written by Jagger and Richards, "[[Tell Me (You're Coming Back)]]". After signing with Decca, the Stones began touring the UK and Europe. On their first tour of England, the Stones were packaged with American stars including [[Ike and Tina Turner]], Bo Diddley, [[The Ronettes]], [[The Everly Brothers]] and [[Little Richard]].<ref name=according /> The first tour also cemented the Stones' shift from a rhythm and blues band to more of a pop band, resulting in a reduction in the number of blues songs the band played live. ''Following the release of the US only [[12 X 5]], [[The Rolling Stones No. 2]]'' (''[[The Rolling Stones, Now!]]'' in the United States) (UK #1; US #5) again contained mainly cover tunes, but was augmented by songs composed by Jagger and Richards. After the album's release, the band began to tour constantly. The Rolling Stones' first UK chart-topper was the cover of "[[It's All Over Now]]" in June 1964.
-Le premier concert des Stones se passe au [[Marquee]] à [[Londres]], le 12 juillet [[1962]]. Le groupe est alors composé de Brian, Mick, Keith, [[Ian Stewart (musicien)|Ian Stewart]] au piano, [[Dick Taylor]] à la basse et Mike Ivory à la batterie. Taylor partira ensuite former les [[Pretty Things]]. Le poste de batteur est toujours aléatoire, oscillant entre Tony Chapman et Mick Ivory. Les Stones cherchent un bassiste. En décembre [[1962]], Tony Chapman leur présente [[Bill Wyman]], au ''Red Lion Club''<ref>un pub dans lequel ils répétaient</ref> qui leur plaît immédiatement, peut être grâce à ses amplis, denrée rare à l'époque, mais aussi grâce à ses capacités : il est plus âgé de 7 ans que Mick et Keith, et joue déjà depuis de nombreuses années dans son groupe ''les Cliftons'', avec Tony, tout en étant amateur. Les batteurs des Stones étant trop instables, [[Charlie Watts]], qui connaissait bien Mick pour avoir joué avec lui, se joindra à eux définitivement en Janvier [[1963]], laissant sa place au sein des [[Blues Incorporated]] à [[Ginger Baker]]. En mars de la même année, ils enregistrent à l'''IBC Studio'' de Portland Place, à [[Londres]], une ''démo'', avec comme ingénieur du son le futur mythique [[Glyn Johns]], composée de reprises de r'n'b<ref>''Diddley Daddy'' et ''Road Runner'' de [[Bo Diddley]], ''Bright Lights Big City'' et ''Baby What's Wrong?'' de [[Jimmy Reed]], et ''I want To Be loved'' de [[Willie Dixon]]</ref>.+During the first American tour in June 1964, the Stones began years of recording exclusively at American studios [[Chess Records|Chess Studios]] in Chicago and RCA Studios in Los Angeles.<ref name=AMG /> The Stones' version of “[[Little Red Rooster]],” which went to number 1 in the UK, was banned in the US because of its “objectionable” lyrics.{{vague}} Oldham crafted the band's image of long-haired tearaways "into the opposite of what the Beatles [were] doing" .<ref name=rockhall/> The Stones also appeared on American variety shows such as ''[[The Ed Sullivan Show]]''. Sullivan reacted to the pandemonium the Stones caused and promised to never book them again, though he later did book them repeatedly .<ref name=rockhall />. On a TV variety show ''The Hollywood Palace'' the host, [[Dean Martin]]s, mocked their hair during their appearance.<ref>[http://www.tv.com/host-dean-martin---the-rolling-stones/episode/144861/summary.html "The Hollywood Palace"]''[[TV.com]]'', accessed [[1 June]] [[2007]]</ref> In October the band immediately followed [[James Brown]] in the filmed theatrical release of ''[[The T.A.M.I. Show]]'', which showcased American acts with British Invasion artists. According to Jagger in 2003, "We weren't actually following James Brown because there were hours in between the filming of each section. Nevertheless, he was still very annoyed about it..."<ref name=according />. The first American tour was not an overwhelming success: the band had not topped the charts and poor booking marred many live appearances.{{Fact|date=October 2007}}
-Les Stones joueront régulièrement au Ealing Club, puis au Crawdaddy, club que vient d'ouvrir [[Giorgio Gomelsky]]. De quelques dizaines de spectateurs, l'audience passe rapidement à plusieurs centaines, dépassant les capacités de la salle.+
-[[Andrew Loog Oldham]], jeune publicitaire de 19 ans, qui a déjà travaillé avec [[Brian Epstein]], [[Bob Dylan]] et [[Little Richard]], associé au manager Eric Easton, ne rêve que de rencontrer et manager « ses » [[Beatles]], qui viennent de sortir ''Love me do''. Dans son parcours des clubs de Londres, il entre un jour au Crawdaddy<ref>sur les conseils de Peter Jones, journaliste qui avait chroniqué les Stones après les avoir vus au Crawdaddy Club</ref>, et voit les Stones. C'est la révélation, il sera leur manager.+=== 1965-1969 ===
-Avec leur nouveau manager, leur carrière décolle. En 1963, la maison de disque [[Decca]] et son Directeur artistique (''A&R'') Dick Row, célèbre pour avoir refusé les Beatles<ref>Dick Row est surnommé dans le milieu « The man who turned down the Beatles »</ref>, leur fait enregistrer leur premier single<ref>sorti en juin 1963, référence : Decca F11675</ref>, avec, sur la face A, une reprise de [[Chuck Berry]], ''Come on''<ref>Les Stones ne seront jamais content de l'enregistrement et du choix du titre imposé par leur manager, et ne joueront jamais sur scène ce titre</ref>, et, sur la face B, ''I want to be loved'' de [[Willie Dixon]]. Ce premier disque leur permet d'entrer discrètement dans les ''charts'' britanniques, et de se faire remarquer par la presse. Un deuxième ''single'' sort avec, en face A, un titre composé par [[John Lennon]] et [[Paul McCartney]], ''I Wanna Be Your Man'' <ref>sorti en novembre 1963, référence : Decca F11764</ref>, et en face B un instrumental : ''Stoned''<ref>pas encore signé « Jagger/Richards », mais « Nanker Phelge », pseudonyme utilisé pour créditer l'ensemble du groupe</ref>.+The first Jagger/Richards composition at number 1 in the UK was "[[The Last Time (song)|The Last Time]]" in early 1965. The U.S. version of that year's ''[[Out of Our Heads]]'' LP contained seven original songs, including "[[(I Can't Get No) Satisfaction]]" which became the band's first number one in the US where it remained for four weeks in July, and established the Stones as a worldwide premier act. Shortly thereafter they released their second number one, "[[Get Off of My Cloud]]".<ref name=rockhall /> ''Out of Our Heads'' and the US-only released ''[[December's Children]]'' were also the last Stones albums to predominantly feature covers. The release ''[[Aftermath (album)|Aftermath]]'' (UK number 1 ; US 2) in the late spring of 1966 was the first Stones album to be composed only of Jagger/Richards songs. Leadership of the band also shifted from Jones to the songwriting duo. The American version of the LP included the chart-topping, [[Middle Eastern music|Middle Eastern]]-influenced "[[Paint It, Black]]", the ballad "[[Lady Jane]]", and the almost 12-minute long "[[Going Home (song)|Going Home]]", the first extended jam on a top selling Rock 'n' Roll album; later [[Jimi Hendrix]], [[Cream (band)|Cream]] and other sixties and seventies bands would release long jams routinely.
-Ils font leur première apparition TV dans l'émission ''Thank you lucky star'' de Pete Murray. Leur look, pourtant si conventionnel de nos jours, paraît outrancier. Leurs cheveux longs<ref>qui recouvraient juste les oreilles!</ref> font scandale ; ce look original et leur attitude parfois méprisante donneront des idées à Andrew L.Oldham. +{{Sound sample box align right|Music samples:}}
 +{{Listen
 +|filename=The_Rolling_Stones_-_Paint_It_Black.ogg‎
 +|title="Paint It, Black"
 +|description=Sample of "[[Paint It, Black]]" by [[The Rolling Stones]] (1966). Released as a single and as the opening track on the US version of ''[[Aftermath_(album)|Aftermath]]''.
 +|format=[[Ogg]]}}
 +{{Listen
 +|filename=The_Rolling_Stones_-_Satisfaction.ogg‎
 +|title="(I Can't Get No) Satisfaction"
 +|description=Sample of "[[(I Can't Get No) Satisfaction]]" by [[The Rolling Stones]] (1965).
 +|format=[[Ogg]]}}
 +{{sample box end}}
 +
 +Jagger, Richards and Jones began to be hounded by authorities over illegal drug use. In 1967 the Sussex police, tipped off by the ''[[News of the World]]'', raided a party at Keith Richards' home, "Redlands". Jagger and Richards were charged with drug offences. Richards said in 2003, "When we got busted at Redlands, it suddenly made us realize that this was a whole different ball game and that was when the fun stopped. Up until then it had been as though London existed in a beautiful space where you could do anything you wanted."<ref name=according/>
-Afin de se démarquer des [[Beatles]] apparus un peu plus tôt et dont la popularité est exceptionnelle, le jeune manager des ''Stones'' leur crée une image de « mauvais garçons ». En opposition aux allures de « gentils gendres » des ''Fab Four'', Jagger et sa bande cultivent leur différence, refusant très rapidement le costume-cravate<ref>tenue de scène quasi obligatoire de l'époque, que même les Beatles avaient adopté dès leur premier single, rejetant « perfecto » et cheveux gominés aux oubliettes</ref>, insistant sur leur chevelure, et défraient la chronique par leurs frasques <ref>comme uriner sur les pompes d'une station-service qui refuse de leur ouvrir ses toilettes, grand scandale pour l'époque dans un Royaume-Uni puritain !</ref>.+Amid this, January saw the release of ''[[Between the Buttons]]'' (UK number 3;US 2). The US version included the double A-side singles of "[[Let's Spend the Night Together]]" and "[[Ruby Tuesday]]". The Stones performed the former on ''The Ed Sullivan Show'' in the USA, where Jagger was forced to mumble the song's lyrics and change the chorus to "Let's Spend Some Time Together" due to the threat of censorship.<ref name=stonemag/> The album was Oldham's last venture as the Stones' producer (and, effectively, manager as well). On his departure, Jagger said in 2003, "The reason Andrew left was because he thought that we weren't concentrating and that we were being childish. It was not a great moment really - and I would have thought it wasn't a great moment for Andrew either. There were a lot of distractions and you always need someone to focus you at that point, that was Andrew's job."<ref name=stonemag /> Oldham, in his biography, says it was because his shortage of money led to his surrendering his management contract to others.
-C'est à cette époque que Brian Jones commence à manquer quelques concerts pour des raisons de santé, et à se perdre dans ses conquêtes féminines et leur conséquences<ref>James Phelge : « ''Brian was more preoccupied with his domestic situation and seemed to have no spare time'' », dans son livre ''Nakering with the Rolling Stones''</ref> ; il a déjà deux enfants<ref>l'un conçu au lycée, l'autre en 61 avec Pat Andrew, avec qui il vit plus ou moins régulièrement</ref>+In May 1967, shortly before the trials of Jagger and Richards, Brian Jones was arrested for possession of [[cannabis (drug)|cannabis]]<ref name=stonemag /> He escaped with a fine and probation but was told to seek professional help. On 27 June Jagger and Richards were convicted and jailed.<ref name=stonemag /> Following an editorial critical of the convictions and sentences in ''[[The Times]]'', entitled "[[Who breaks a butterfly upon a wheel?]]", Richards' conviction was quashed on appeal, and Jagger's sentence reduced to a conditional discharge. The band recorded a new single, "[[We Love You]]", as a thank-you for the loyalty shown by their fans during the trials.<ref>Janovitz, Bill. [http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=33:3cftxbwaldje The Rolling Stones "We Love You"]. ''allmusic''. [[2007]] (accessed [[1 June]] [[2007]]).</ref> It began with the sound of opening prison doors and in TV films to promote the record Jagger dressed in a style reminiscent of Oscar Wilde.
-Leur carrière prend enfin un tournant définitif. Les concerts deviennent quotidiens, Bill Wyman et Charlie Watts quittent leur emploi pour intégrer les Stones à plein temps, Mick laisse tomber ses études, l'appartement à Edit Grove abandonné, Keith, Mick et Andrew habitent ensemble dans un nouveau logement. Ce dernier fait sera le point de départ d'une nouvelle collaboration : Andrew obligera Mick et Keith à travailler ensemble, à l'image de [[Paul McCartney|McCartney]] et [[John Lennon|Lennon]], à l'écriture de titre pour les Stones.+December 1967 saw the release of ''[[Their Satanic Majesties Request]]'' (UK number 3; US 2), released shortly after the Beatles' ''[[Sgt. Pepper's Lonely Hearts Club Band]]''.<ref name=stonemag /> ''Satanic Majesties'' was recorded in difficult circumstances while Jagger, Richards and Jones were in and out of jail. (Bill Wyman wrote and sang a track on the album — "[[In Another Land]]" — and the front cover of the album had a kaleidoscope picture.) Jagger was a strong advocate of the [[psychedelia|psychedelic]] sound of the album, but rarely have any songs from the record been played live. Though the band has released psychedelic tracks, ''Satanic Majesties'' is an anomaly. It also marked the first time the Stones produced their own album.
-=== L'envol de 1965 ===+By early 1968 the Stones had acquired [[Allen Klein]] as their new manager. The band spent the first few months of the year compiling material for their next album. Those sessions resulted in the song "[[Jumpin' Jack Flash]]", released as a single in May. The song, and later that year the resulting album, ''[[Beggars Banquet]]'' (UK number 3; US 5), marked the band's return to its blues roots with new producer [[Jimmy Miller (producer)|Jimmy Miller]]. Featuring the album's lead single, "[[Street Fighting Man]]", and the opening track "[[Sympathy for the Devil]]", ''Beggars Banquet'' is another eclectic mix of country and blues-inspired tunes and was hailed as an achievement for the Stones at the time of its release. On the musical evolution between albums, Richards said, "There is a change between material on ''Satanic Majesties'' and ''Beggars Banquet''. I'd grown sick to death of the whole Maharishi guru shit and the beads and bells. Who knows where these things come from, but I guess [the music] was a reaction to what we'd done in our time off and also that severe dose of reality. A spell in prison... will certainly give you room for thought... I was fucking pissed with being busted. So it was, 'Right we'll go and strip this thing down.' There's a lot of anger in the music from that period."<ref name=according /> During this time Richards started using [[open tuning]]s, most prominently a 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single "[[Honky Tonk Women]]", "[[Brown Sugar (song)|Brown Sugar]]" (''[[Sticky Fingers]]'', 1971), "[[Tumbling Dice]]", "[[Happy (Rolling Stones song)|Happy]]", (''[[Exile on Main St.]]'', 1972), and "[[Start Me Up]]" (''[[Tattoo You]]'', 1981). Open tunings lead to Stones' (and Richards') trademark guitar sound.
-Cependant l'opposition de style entre les deux groupes est le résultat d'un marketing de différenciation alors que leur parcours musical est parallèle : influences communes du [[rock'n'roll]] et du [[Rhythm and Blues|r'n'b]] ; [[Mick Jagger]] & [[Keith Richards]] décollent enfin comme compositeurs, tout d'abord avec ''The Last Time'', puis ''[[(I Can't Get No) Satisfaction]]'', suivis par ''As Tears Goes By'', ''Get Off Of My Cloud'' & ''19th Nervous Breakdown''. Les Rolling Stones introduisent à partir de leur 1{{er}} chef-d'œuvre ''[[Aftermath (The Rolling Stones)|Aftermath]]'' (en particulier sous l'impulsion de Brian Jones) des influences psychédéliques et la musique indienne (on peut notamment rappeler le [[sitar]] de ''[[Paint It, Black]]'', la dulcimer sur ''[[Lady Jane]]'' ou les [[marimbas]] de ''[[Under My Thumb]]''). L'album ''[[Between the Buttons]]'' continue sur la même lancée avec la flûte mélodieuse de Brian sur ''[[Ruby Tuesday]]'' mais contient aussi des morceaux de rock comme ''[[Let's spend the night together]]'' et ''[[Connection]]'' et des influences "music-hall". L'album ''Satanic Majesties Request'' sort en décembre 1967 et porte d'ailleurs largement la « patte » de Brian Jones. Il n'aura toutefois sur le moment qu'un succès mitigé, déconcertant par son côté « planant » quelques fans du blues pur et dur, néanmoins deux titres emergent, ''She's Like A Rainbow'' et ''2000 Light Years From Home''. +
-1966 sera l'année des dernières tournées avant un grand ''break'' : ils avaient tourné de façon ininterrompue depuis leurs débuts, donnant entre 250 et 300 concerts par an. Après leur 5{{e}} tournées US et la 8{{e}} UK, toutes 2 en 66, les Stones s'accordent du repos. Mick tournera un film<ref>''Performance'', avec [[Anita Pallenberg]]</ref>, Bill fera de la production, Brian composera une BO de film, etc.+By the release of ''Beggars Banquet'' Brian Jones had contributed sporadically and was more troubled. Jagger said that Jones was "not psychologically suited to this way of life." <ref name=according/> His drug use had become a hindrance, and he was unable to obtain a U.S. visa. In a June meeting at Jones' house between Jagger, Richards, Watts, Richards said that Jones admitted that he couldn't "go on the road again." All agreed to let Jones, according to Richards, "...say I've left, and if I want to I can come back.'"<ref name=RSkeith /> His replacement was the 21-year-old guitarist [[Mick Taylor]], of [[John Mayall|John Mayall's Bluesbreakers]], who started recording with the band immediately. On July 3, 1969, less than a month later, Jones drowned in the pool at his Cotchford Farm home in [[Sussex]].
 +[[Image:Taylorrichards.jpg|left|thumb|Mick Taylor (left) with Keith Richards.]]
-1967 voit la première arrestation de [[Mick Jagger]] et de [[Keith Richards]] pour possession de drogues. Vite relaxés, il ne feront pas de prison, sinon les quelques jours d'attente de leur comparution. Le quotidien [[The Times]] viendra d'ailleurs à leur secours avec un superbe éditorial en leur faveur, prémice du changement de société en cours.+=== 1969-1974 ===
-1968 marque leur grand retour et le début de la fin pour [[Brian Jones (musicien)|Brian Jones]] qui s'enfonce de plus en plus dans des addictions dangereuses et la [[paranoïa]], après l'échec commercial de ''Satanic'', les Rolling Stones reviennent aux racines du blues et du rock, d'abord avec le single ''Jumping Jack Flash'', puis avec l'album [[Beggars Banquet]]. L'album remet les Rolling Stones en selle avec des morceaux comme ''[[Sympathy for the Devil (chanson)]]'' et ''Street Fightin' Man'' qui vont asseoir leur réputation du groupe le plus violent de l'histoire du rock et de « ''greatest band of rock & roll in the world'' ».+Despite the death of Brian Jones two days previously, a scheduled concert in London's [[Hyde Park, London|Hyde Park]] went ahead in front of an estimated 250,000 fans.<ref name=stonemag /> The band had just released "Honky Tonk Women" on [[3 July]], coinciding with the death. The band's performance was captured by a [[Granada Television]] production team, later to be shown on British television as ''Stones in the Park''. Jagger read an excerpt from [[Percy Bysshe Shelley]]'s elegy ''[[Adonais]]'' and released thousands of butterflies in memory of Jones.<ref name=stonemag /> The concert was the first gig for the band in a little over a year .<ref name=rockhall />
-[[Image:Keith Richards Hannover 2006.jpg|right|thumb|300px|Le guitariste Keith Richards lors d'un concert du groupe à [[Hanovre]] (Allemagne) en [[2006]]. On peut apercevoir au deuxième plan, de dos, Darryl Jones (à gauche) et Mick Jagger (à droite)]]+
-=== Le tournant de 1969 ===+{{Sound sample box align right|Music samples:}}
-==== L'exclusion de Brian Jones et la (re)découverte de l'accord ouvert ====+{{Listen
-Brian Jones, bien que leader dès l'origine, est exclu du groupe en [[1969 en musique|1969]]. Comme le montre une des séquences du documentaire de [[Jean-Luc Godard]] réalisé en 1968, [[Sympathy for the Devil (chanson)|Sympathy for the Devil]], il a du mal à se concentrer et à jouer en studio, les techniciens du son allant jusqu'à le laisser interpréter un morceau tout en lui coupant son micro de manière à ne pas enregistrer sur la piste de fausses notes. De plus, ses problèmes de [[drogue]]s ne lui permettaient plus de suivre le groupe en tournée, et son soudain surpoids dont témoignent encore quelques photos de l'époque ne le faisait plus correspondre à l'image sexy des Stones. Il meurt le 3 Juillet 1969, noyé dans sa piscine. Brian Jones participa encore un peu à l'album ''[[Let It Bleed]]'', aussi « violent » que l'album précédent avec des titres tels que ''Gimme Shelter'', ''You Can't Always Get What You Want'' et surtout [[Midnight Rambler]] (qui évoque [[Albert DeSalvo]], l'étrangleur de Boston), qui deviendra un classique sur scène.+|filename=The_Rolling_Stones_-_Gimme_Shelter.ogg‎
 +|title="Gimme Shelter"
 +|description=Sample of "[[Gimme Shelter]]" by [[The Rolling Stones]], from ''[[Let It Bleed]]'' (1969)
 +|format=[[Ogg]]}}
 +{{Listen
 +|filename=The_Rolling_Stones_-_Brown_Sugar.ogg‎
 +|title="Brown Sugar"
 +|description=Sample of "[[Brown Sugar (song)|Brown Sugar]]" by [[The Rolling Stones]], from ''[[Sticky Fingers]]'' (1971)
 +|format=[[Ogg]]}}
 +{{sample box end}}
-Dés 1968, Keith Richards découvre une façon de s'accorder (l'[[accord ouvert|open tuning]]) qui marquera le nouveau son des Rolling stones. En effet, cet accordage qui est utilisé par les bluesmen permet aux Rolling stones de changer leur façon de composer. Certains pourront regretter que celui-ci appauvrisse l'aspect mélodique de leurs chansons, d'autres salueront les innombrables chansons qui seront le fruit de l'open tuning (''Jumpin' Jack Flash'', ''Street Fighting Man'', ''You Can't Always Get What You Want'', ''Honky Tonk Woman'', ''Gimme Shelter'', ''Happy'', ''Start Me Up'' pour n'en citer que quelques unes)+The release of ''[[Let It Bleed]]'' (UK number 1 ; US 3) came in December. Their last album of the Sixties, ''Let It Bleed'' featured "[[Gimme Shelter]]", "[[You Can't Always Get What You Want]]", "[[Midnight Rambler]]", as well as a cover of [[Robert Johnson (musician)|Robert Johnson]]'s "[[Love in Vain]]". Jones is featured on two tracks and Taylor is also featured on two tracks. Most of these songs became part of the live show for the resulting [[The Rolling Stones American Tour 1969|tour of America]], their first in three years. The tour culminated with the band's staging of the [[Altamont Free Concert]], at the disused [[Altamont Speedway]], about 60km east of [[San Francisco]]. With the [[Hell's Angels]] providing security, [[Meredith Hunter]], was stabbed and beaten to death by the Angels.<ref>Burks, John, [http://www.rollingstone.com/news/story/_/id/5934386 "Rock & Roll's Worst Day: The aftermath of Altamont"], ''[[Rolling Stone]]'', [[1970]]-[[02-07]], URL retrieved [[2007]]-[[04-18]].</ref> The tour and "Altamont" were documented in [[Albert and David Maysles]]' film ''[[Gimme Shelter (documentary)|Gimme Shelter]]''. As a response to the growing popularity of [[bootleg recording]]s, the live album ''[[Get Yer Ya-Ya's Out! The Rolling Stones in Concert|Get Yer Ya-Yas Out!]]'' (UK #1; US #6) was released in 1970 and was considered by critic [[Lester Bangs]] the best live record ever.<ref>Bangs, Lester. [http://www.rollingstone.com/artists/therollingstones/albums/album/238845/review/6067337/get_yer_yayas_out "The Rolling Stones: Get Yer Ya-Ya's Out"]. ''Rolling Stone''. [[November 12]] [[1970]] (accessed [[28 April]] [[2007]]).</ref>
-==== Le retour à la scène ====+By 1969, the band's 1963 contract with [[Decca Records]] ended, and the Stones formed their own record company, [[Rolling Stones Records]]. ''[[Sticky Fingers]]'' (UK number 1; US 1), released in March 1971, was the band's first album on their own label. The album contains one of their best known hits, "[[Brown Sugar (song)|Brown Sugar]]", and the [[country music|country]]-influenced "[[Wild Horses (song)|Wild Horses]]". Both were recorded at Alabama's [[Muscle Shoals Sound Studio]] during the 1969 American tour.
-Le « grand retour » à la scène date de juillet [[1969]], lors du concert gratuit à [[Hyde Park]], le premier depuis deux ans et demi, pour l'intronisation du nouveau guitariste [[Mick Taylor]], qui vient de chez [[John Mayall]]<ref>qui a fait découvrir [[Eric Clapton]] et [[Peter Green]]</ref>, et, fait non prévu, pour rendre un hommage à Brian Jones, décédé 2 jours plus tôt. Mick Jagger lira à cette occasion un poème de [[Percy Bysshe Shelley]].+
-[[Mick Taylor]] contribuera à renforcer les racines ''blues'' des Rolling Stones et sa participation aux albums ''Exile on Main Street'' et ''Sticky Fingers'' marquera le retour à des compositions et des productions plus épurées.+
-==== Altamont ====+''Sticky Fingers'' continued the band's immersion into heavily blues-influenced compositions. The album is noted for its "loose, ramshackle ambience"<ref>[http://wm01.allmusic.com/cg/amg.dll?p=amg&sql=Abe3ibkj96akc "Sticky Fingers"] ''[[allmusic]]'', accessed [[30 August]] [[2007]]</ref> and marked Mick Taylor's first full release with the band. Taylor collaborated on several songs with Jagger, like "[[Sway (The Rolling Stones song)|Sway]]" and "[[Moonlight Mile (Rolling Stones song)|Moonlight Mile]]", partially because of Richards' drug addictions and resulting unreliability. However, when released, all original songs were credited to "Jagger/Richards".
-À l'issue de leur tournée américaine de 1969 qui marque leur grand retour aux États-Unis, ils décident de donner un concert gratuit à [[San Francisco]]. Le concert aura finalement lieu à [[Altamont]] ([[Californie]]), mais l'aura sauvage des Stones et la mauvaise organisation du concert se soldera par le meurtre d'un spectateur noir, [[Meredith Hunter]], par des [[Hells Angels]]. Ce festival marquera la fin de l'utopie [[hippie]] (voir le film ''[[Gimme Shelter (film)|Gimme Shelter]]''). La tournée américaine de 1969 sera néanmoins immortalisée par l'album en public ''Get yer ya ya's out'', où les riffs de [[Keith Richards]] et les solos de [[Mick Taylor]] sont d'une efficacité redoutable.+
-==== L'apogée ====+Following the release of ''Sticky Fingers'', the Stones left England after allegations by the UK Inland Revenue service of unpaid [[income tax]]. The band moved to the South of [[France]] where Richards rented a [[chateau]], [[Nellcôte|Villa Nellcôte]], and sublet rooms to band members and entourage. Using the [[Rolling Stones Mobile Studio]] they continued recording sessions that stretched as far back as 1969. The subsequent recordings were finished at Sunset Sound in Los Angeles by the band. The resulting [[double album]], ''[[Exile on Main St.]]'' (UK number 1 ; US 1), was released in May 1972. Given an A+ grade by critic Robert Christgau<ref>[http://www.robertchristgau.com/get_artist.php?name=rolling+stones "Reviews - The Rolling Stones"] ''[[Robert Christgau]]'', accessed [[30 August]] [[2007]]</ref> and disparaged by Lester Bangs — who reversed his opinion within months —''Exile'' is now accepted as one of the Stones' best albums.<ref>[http://www.allmusic.com/cg/amg.dll?p=amg&sql=A4kq4g40ttv6z "Exile on Main St."]''AMG'', [[2007]]. accessed [[16 October]] [[2007]]</ref> The film ''[[Cocksucker Blues]]'', never officially released, documents the subsequent, highly publicised [[The Rolling Stones American Tour 1972|1972 North American ("STP") Tour]], with its retinue of [[jet set]] hangers-on. The band's [[The Rolling Stones Pacific Tour 1973|early 1973 Pacific Tour]] saw them banned from playing in [[Japan]] and almost banned from [[Australia]].
-En 1971, les Rolling Stones sortent l'album ''[[Sticky Fingers]]'' avec la célèbre pochette, dessinée par [[Andy Warhol]]. Les références au sexe et à la drogue sont explicites, les compositions sont excellentes (''Brown sugar'', ''Wild horses'', ''Bitch'', ''Sister Morphine'', '' Dead Flowers ''). L'arrivée de [[Mick Taylor]] donne un nouveau souffle au groupe qui entame la même année une tournée d'adieu au Royaume-Uni. C'est en effet en exil fiscal sur la Côte d'Azur que le groupe enregistre et sort en [[1972]] son premier double album ''[[Exile on Main Street]]'', que suivra une tournée triomphale en Amérique du Nord (STP : Stones Touring Party). Les Rolling Stones sont alors à leur zénith. L'album est excellent même s'il ne contient pas vraiment de hit. La chanson ''Sweet Black Angel'', est un hommage à [[Angela Davis]], et le blues y est omniprésent. Le film ''Cocksucker Blues'' tourné par Robert Frank pendant la tournée nord américaine ne sortira pas, car il présentait une vision trop crue du groupe (drogues, groupies, destruction de chambres d'hôtel, scènes d'orgies dans un avion). En [[1973]], l'inspiration du groupe commence à fléchir, à cause de l'addiction de plus en plus préoccupante à l'héroïne de Keith Richards. Ces problèmes de stupéfiants ayant marqué les autorités françaises, le guitariste est déclaré ''persona non grata'' dans l'hexagone, y privant le groupe de tout concert pendant plusieurs années. L'album qui sort la même année, ''[[Goat's Head Soup]]'' est nettement inférieur aux précédents. Malgré tout il devient un succès commercial grâce à la chanson ''Angie''. La tournée européenne qui promeut l'album reste l'une des meilleures de leur carrière. Afin de satisfaire les spectateurs français malgré leurs démêlés judiciaires, les Rolling Stones et la radio RTL affrètent un train spécial à destination d'un concert exceptionnel donné à Bruxelles : le [[bootleg]] ''Brussels Affairs'' reflète le son excellent de cette tournée, les Stones sont au zénith de leurs prestations scéniques, les prestations de Mick Taylor sont absolument fantastiques.+[[Image:rstones3.jpg|frame|right|The Rolling Stones on tour, 1972.]]
-=== La période sombre ===+In November 1972, the band began sessions in [[Kingston, Jamaica]] for their follow-up to ''Exile'', ''[[Goats Head Soup]]'' (UK number 1 ; US 1) (1973). The album spawned the worldwide hit "[[Angie (song)|Angie]]", but proved the first in a string of commercially successful but tepidly received studio albums.<ref>Erlewine, Stephen Thomas. [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:rz6atr79kl6x The Rolling Stones "Goats Head Soup"]. ''allmusic''. [[2007]] (accessed [[17 June]] [[2007]]).</ref> The sessions for ''Goats Head Soup'' led to a number of outtakes, most notably an early version of the popular ballad "[[Waiting on a Friend]]", not released until ''[[Tattoo You]]'' eight years later. The making of the record was hindered by another legal battle over drugs, this one dating back to their stay in France.
-==== Départ de Mick Taylor - Arrivée de Ron Wood ====+
-En 1974 sort l'album ''[[It's Only Rock'n Roll]]'', est le premier album produit sous le vocable de "Glimmer Twins", surnom du duo Jagger-Richards. L'album ouvre sur le titre ''If You Can't Rock Me'' avec [[Keith Richards]] à la basse, suivi de ''Ain't Too Proud To Beg'', reprise des [[Temptations]]. On notera le morceau ''Time Waits For No One'', avec un solo de Mick Taylor très inspiré et surtout le morceau soul ''Fingerprint File'' qui fait référence aux exactions du [[Federal Bureau of Investigation|FBI]] et des dictatures sud américaines. Mick Taylor quittera les Stones après l'album ''It's Only Rock'n'roll''<ref>le single ''It's Only Rock'n'roll'' sera composé et en partie enregistré chez Ron Wood, avec ce dernier et Mick Jagger aux guitares, [[David Bowie]] dans les chœurs, [[Kenny Jones]] à la batterie, et [[Willie Weeks]] à la basse (dixit [[Bill Wyman]] dans son livre ''Rolling With The Stones'', page 424).</ref> en 1974. Il sera remplacé par [[Ron Wood]], issu des [[Faces]] et ayant travaillé avec [[Rod Stewart]] et [[Jeff Beck]] (en tant que bassiste). Bien que musicien moins accompli, il correspond mieux au reste du groupe par son look et son esprit (très « ''sex, drugs & rock'n'roll'' »). Plus de trente ans après son arrivée, il continue pourtant à être considéré comme « le petit nouveau ».+
-[[Image:Charlie Watts Hannover 19-07-2006.jpg|thumb|right|300px|Le batteur Charlie Watts lors d'un concert du groupe à Hanovre en 2006]]+
-==== Années 75-85 ====+The band went to Musicland studios in [[Munich]] to record their next album, 1974's ''[[It's Only Rock 'n Roll]]'' (UK 2; US 1), but [[Jimmy Miller (musician)|Jimmy Miller]], who had drug abuse issues, was no longer producer. Instead, Jagger and Richards assumed production duties and were credited as "[[the Glimmer Twins]]". Both the album and [[It's Only Rock 'n' Roll (but I Like It)|the single of the same name]] were hits, even without an immediate tour to promote them.
-Les années suivantes, jusqu'au mi-80, seront une période trouble. Keith Richards est dans ses addictions, la prison et les interdictions de séjours, la mort de proches<ref>dont [[Graham Parson]] et [[Ian Stewart (musicien)|Ian Stewart]]</ref>, doutes musicaux, albums inégaux<ref>''It's Only Rock'n'roll'' et ''Black And Blue'' ne sont pas considérés comme des albums majeurs</ref>, arrivée du disco dans leur musique,fait qu'il y a des disputes entre Mick Jagger et Keith richards+
-==== Séparation des Stones ? ====+Nearing the end of 1974, Taylor began to get impatient because there had been no tours since October 1973.<ref>[http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:jifpxqr5ldse~T1 "Mick Taylor Biography"] ''[[allmusic]]'', accessed [[25 June]] [[2007]]</ref> The band found itself in a stalemate, with members opting to spend time abroad between recording sessions, while Jagger was getting exasperated with Richards, whose behaviour was becoming increasingly erratic and self-indulgent. The other members of the band ended up paying the fines and legal bills resulting from Richards' convictions, which led to the band being denied entry to certain countries and to missed income for all. Taylor spent his time helping Jagger compose and record songs in the studio, while Richards was often absent. Jagger promised Taylor recognition for his contributions in the form of official credits on tracks. When this did not happen, and with no tour in sight by the end of 1974 and a recording session already booked in Munich to record another album, Taylor quit The Rolling Stones.<ref>[http://www.micktaylor.net/why_mick_taylor_quit_the_stones.html Smith, Curtis. "Why Mick Taylor Quit the Stones"] ''micktaylor.net'', accessed [[25 June]] [[2007]]</ref> Taylor said in 1980, "I was getting a bit fed up. I wanted to broaden my scope as a guitarist and do something else... I wasn't really composing songs or writing at that time. I was just beginning to write, and that influenced my decision... There are some people who can just ride along from crest to crest; they can ride along somebody else's success. And there are some people for whom that's not enough. It really wasn't enough for me."<ref>Obrecht, Jas: "Mick Taylor: Ex-Rolling Stones On His Own", page 20. Guitar World, Feb. 1980.</ref>
-L'arrestation de Keith à [[Toronto]] en 1977, qui risque sept ans de prison, met le groupe en péril et jette le doute sur la pérennité de la présence du guitariste au sein des Stones. Le sommet des troubles est atteint en [[1986]] avec l'album ''Dirty Work'', sur lequel Bill Wyman et Charlie Watts jouent volontiers les absents <ref>plusieurs invités contribueront à cet album, dont les guitaristes[[Jimmy Page]] et [[Bobby Womack]]</ref>. Le titre de l'album est un clin d'œil aux fans, qui connaissent les difficultés du groupe. Cette période sera celle de l'interrogation autour des Stones, des albums solo de Jagger et Richards, mais aussi de Wood et Watts.+
-=== L'éternel retour === +===1974-1982===
-Une forme de renaissance viendra avec l'album ''[[Steel Wheels]]'', qui verra les Stones, à nouveau soudés, retrouver l'inspiration et l'envie de jouer ensemble. Si les tournées se font dans des grands stades et deviennent un vrai business industriel<ref>géré par Jagger</ref>, Keith insistera pour pouvoir toujours jouer dans des petites salles, plus ou moins officiellement, usant parfois de pseudonyme pour le groupe, afin de rester près des ses fans. À titre d'exemple, l'album ''[[Stripped (The Rolling Stones)|Stripped]]'' est enregistré en partie à l'[[Olympia (Paris)|Olympia]] de [[Paris]], et en partie au [[Paradiso Club]] d'[[Amsterdam]].+
-Visiblement lassé de ne pas être crédité pour ses contributions, et peut être aussi des tournées incessantes dans les stades ou bien aussi par son avance en âge sur les autres<ref>il a 8 ans de plus que Mick et Keith</ref>, Bill Wyman quitte le groupe en [[1993]] pour prendre sa retraite. Il forme les ''Rhythms Kings'', groupe comprenant des [[requin de studio|requins de studios]], tous de ses amis, comme [[Peter Frampton]], [[Albert Lee]] ou [[Gary Brooker]], et enregistre plusieurs albums aux consonances blues et jazz. Il aura la satisfaction d'être le membre des Stones à avoir vendu le plus d'albums en solo.+The Stones used the recording sessions in Munich to audition replacements for Taylor. Guitarists as stylistically far-flung as [[Humble Pie]] lead [[Peter Frampton]] and ex-[[The Yardbirds|Yardbirds]] virtuoso [[Jeff Beck]] were auditioned. [[Rory Gallagher]] and [[Shuggie Otis]] also dropped by the Munich sessions. American session players [[Wayne Perkins]] and [[Harvey Mandel]] also appeared on much of the album. Yet, Richards and Jagger also wanted the Stones to remain purely a British band. When Ron Wood walked in and jammed with the band, Richards and everyone else knew he was the one. Wood had already recorded and played live with Richards and already contributed to the recording and writing of ''It's Only Rock 'n Roll''. The album, ''[[Black and Blue]]'' (UK 2; US 1) (1976), featured all their contributions. Though he initially declined Jaggers offer to become a full member of the Stones because of his ties to the [[The Faces]], Wood committed to the Stones in 1975 for their upcoming Tour of the Americas. At the insistence of Wyman and Watts, Wood was eventually made a full member in the 80s. The 1975 [[Rolling Stones Tour of the Americas '75|Tour of the Americas]] kicked off with the band performing on a flatbed trailer being pulled down [[Broadway (New York City)|Broadway]] in New York City. The tour featured stage props including a giant [[phallus]] and a rope on which Jagger swung out over the audience. [[Image:ElMacomboSpadinaAveToronto.JPG|thumb|200px|left|Toronto's [[El Mocambo]] Club where ''[[Love You Live]]'' was recorded.]]
-Un nouvel album en 1994, ''Voodoo Lounge'', encore plus « roots » que ''Steel Wheels'', donne l'impression une fois de plus que les Stones sont de retour. Nouvelle tournée mondiale, et nouveau succès.+Although The Rolling Stones remained popular through the first half of the 1970s, music critics had grown increasingly dismissive of the band's output, and record sales failed to meet expectations.<ref name= rockhall/> Jagger had booked a live recording session at the [[El Mocambo]] club in Toronto to balance a long-overdue live album, 1977's ''[[Love You Live]]'' (UK 3; US 5), the first Stones live album since 1970's ''[[Get Yer Ya-Ya's Out!]]''. Richards' addiction to heroin delayed his arrival in Toronto; the other members had already assembled, awaiting Richards, and sent him a telegram asking him where he was. On February 24, 1977, Richards and his family flew in from London on a direct [[BOAC]] flight and were detained by [[Canada Customs]] after being found in possession of a burnt spoon and hash residue. On March 4, Richards' common law wife [[Anita Pallenberg]] plead guilty to drug possession and was fined for the original airport event.<ref name=Sandford227>Sandford, Christopher. ''Keith Richards: Satisfaction'', Caroll & Graf: New York, 2003, p. 227</ref> On Sunday, February 27th, after two days of Stones rehearsals, armed with legal arrest warrants for Pallenberg, the [[Royal Canadian Mounted Police]] discovered "22 grams of heroin"<ref name=rvr518>Greenspan, Edward (editor), ''Regina'' v. ''Richards'' 49 C.C.C. (2d), ''Canadian Criminal Cases'' (1980), Canada Law Book. p. 518</ref> in Richards' room. Richards was charged with importing narcotics into Canada, which carried a minimum seven-year sentence upon conviction.<ref name=Sandford225>Sandford, Christopher. ''Keith Richards: Satisfaction'', Caroll & Graf: New York, 2003, p. 225</ref> Later the Crown prosecutor conceded that Richards had procured the drugs after arrival.<ref name=rvr>Greenspan, Edward (editor), ''Regina'' v. ''Richards'' 49 C.C.C. (2d), ''Canadian Criminal Cases'' (1980), Canada Law Book. p.517-527</ref> Despite the arrest, the band played two shows in Toronto, only to raise more controversy when [[Margaret Trudeau]] was seen partying with the band after the show. These two shows were kept secret from the public and the [[El Mocambo]] had been booked for the entire week by April Wine for a recording session. A local radio station ran a contest for free tickets to see April Wine and the winners were allowed to pick a night to see the band. The winners that picked tickets for the Friday or Saturday night were surprised to find that the Stones were playing <ref name=Sandford227 />
-Les Stones sortent un nouvel album en 1997 (''Bridges to Babylon''), marqué par la volonté de s'inscrire dans l'air du temps (production des [[Dust Brothers]], basse de [[Me'Shell Ndegéocello]], cosignature à l'amiable du premier single avec [[k.d. lang]]) tout en gardant le son traditionnel. Cet album, plutôt moyen somme toute, donne l'occasion d'une nouvelle tournée mondiale, qui durera de septembre 1997 à septembre 1998, pour reprendre de janvier à juin 1999.+The drug case dragged on for over a year until Richards received a [[suspended sentence]] and was ordered to play two free concerts for the [[CNIB]] in [[Oshawa, Ontario]].<ref name=rvr /> This sparked one of Richards' first musical projects outside the Stones (with more to come as Jagger's own solo interests dawned in the 1980s), as he and Wood formed a band, [[The New Barbarians (band)|The New Barbarians]], to perform at the shows. This motivated a final, concerted attempt to end his drug habit, which proved largely successful.<ref name=stonemag /> It also coincided with the end of his relationship with Pallenberg, which had become strained since the death of their third child (an infant son named Tara) and her inability to curb her heroin addiction while Keith struggled to get clean.<ref>Sandford, Christopher. ''Keith Richards: Satisfaction'', Caroll & Graf: New York, 2003, p. 232-3, 248-250</ref>
-Pour fêter leurs quarante années de carrière, les Rolling Stones repartent en tournée mondiale en 2002-2003. Cette tournée appelée ''Licks Tour'' voit les Stones au meilleur de leur forme depuis 1972 peut-être, 1978 au moins ! Ils n'ont pas d'album à promouvoir cette fois, sinon une vague compilation qui comporte quatre titres inédits (dont le très beau ''Losing my touch'' chanté par Keith), mais ils surprendront quand même leur monde en répétant plus de quatre-vingt chansons tirées de l'ensemble de leur répertoire (!) et notamment des chansons jamais jouées sur scène comme l'emblématique ''Can't you hear me knockin'''. Ils en profiteront aussi pour écumer un grand nombre de petites salles, dont à nouveau l'Olympia à Paris. La tournée, remarquée pour sa vigueur, le plaisir qu'ils ont à jouer ensemble, le son et l'énergie, sera l'occasion du premier DVD des Rolling Stones, ''Four Flicks'', qui donne trois concerts (New York : Madison Square Garden, Paris : Olympia et Twickenham) et plus de quarante chansons, très bien jouées, très bien filmées.+While Richards was settling his legal and personal problems, Jagger continued his jet-set lifestyle. He was a regular at New York's [[Studio 54]] [[disco]] club, often in the company of model [[Jerry Hall]]. His marriage to Bianca ended in 1977. By this time, [[punk rock]] had become influential, and the Stones were criticised as decadent, aging millionaires,<ref name=stonemag /> and their music considered by many to be stagnant or irrelevant.<ref name=AMGsomegirls>{{cite web| last = Erlewine| first = Stephen Thomas| title = Some Girls| work = AMG| publisher = allmusic | url = http://wc04.allmusic.com/cg/amg.dll?p=amg&sql=10:d9fpxqt5ldfe| accessdate = 2006-06-01}}</ref>
-L'album ''A Bigger Bang'' apparaît à certains comme une nouvelle résurrection. Il est en effet enregistré « à l'ancienne », dans le château français de Mick Jagger, avec de nombreux blues et des titres très « roots », et la « patte » de Keith. Mais peinant quelque peu à se renouveler avec cet album de plus, ils ne font pas illusion auprès d'une partie de la critique et des fans.+In 1978, the band released ''[[Some Girls]]'' (UK #2; US #1), which included the hit single "[[Miss You]]", the country ballad "[[Far Away Eyes]]", "[[Beast of Burden (song)|Beast of Burden]]", and "[[Shattered (song)|Shattered]]". In part a response to punk, many songs were fast, basic, guitar-driven rock and roll.<ref name=AMGsomegirls/> The album's success re-established the Stones' immense popularity among young people. After the [[Rolling Stones US Tour 1978|US Tour 1978]], the group did not tour Europe the following year, breaking the routine of touring Europe every three years that the band had followed since 1967.
-Leur dernière tournée mondiale "A Bigger Bang" a commencé le 21 août 2005 à Boston (USA). Après les étapes américaines (Nord et Sud), asiatiques et en Océanie, un accident très médiatisé de Keith Richards (tombé tête la première d'un cocotier) a contraint le groupe à différer l'ouverture de la tournée européenne, bouleversant nombre de dates et annulant quelques-unes. En France, deux concerts initialement prévus au Stade de France, furent fondus en une seule soirée le 28 juillet 2006, l'une de leurs meilleures prestations dans l'hexagone selon de nombreux avis. Les Rolling Stones seront également à Nice le 8 août, renouant pour un soir au Palais Nikaïa (stade Charles Ehrmann) avec leur années "Riviera". Se confirme aussi un retour de la tournée aux États-Unis, prévu dès septembre pour plusieurs mois.+Entering the 1980s on a renewed commercial high due to the success of ''Some Girls'', the band released its next album ''[[Emotional Rescue]]'' (UK 1; US 1) in mid-1980. The recording of the album was reportedly plagued by turmoil, with Jagger and Richards' relationship reaching a new low. Richards, more sober than during the previous ten years, began to assert more control in the studio — more than Jagger had become used to — and a struggle ensued as Richards felt he was fighting for "his half of the Glimmer Twins."{{Fact|date=November 2007}} Though ''Emotional Rescue'' hit the top of the charts on both sides of the Atlantic, it was panned as lackluster and inconsistent. Some felt it was a poor imitation of its predecessor.{{Fact|date=October 2007}}
-Cette tournée "Bigger Bang" est d'ores et déjà devenue la plus lucrative de l'histoire de la musique, avec depuis l'automne 2005 des recettes de 437 millions $US et une audience de 3,5 millions de personnes pour 110 spectacles. Le groupe a également attiré deux millions de personnes lors du concert gratuit de Rio de Janeiro, sur la plage de Copacabana, en février dernier. +In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as rehearse for the tour. That year's resulting album, ''[[Tattoo You]]'' (UK 2; US 1) featured a number of outtakes, including lead single "[[Start Me Up]]". Two songs ("Waiting on a Friend" and "Tops") featured Mick Taylor's guitar playing, while jazz saxophonist [[Sonny Rollins]] played on "[[Slave (song)|Slave]]" and dubbed a part on "Waiting on a Friend". The Stones' [[Rolling Stones American Tour 1981|American Tour 1981]] was their biggest, longest and most colourful production to date, with the band playing from September 25th through December 19th. It was the highest grossing tour of that year. Some shows were recorded, resulting in the 1982 live album ''[[Still Life (American Concert 1981)]]'' (UK 4 / US 5), and the 1983 [[Hal Ashby]] concert film ''Let's Spend the Night Together'' which was filmed at Sun Devil Stadium in Phoenix, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey.
-Ainsi depuis la sortie de ''Voodoo Lounge'' en 1994, les Rolling Stones ont passé plus sept ans sur scène, avec un évident plaisir qui, même s'il n'est pas dénué de manœuvres commerciales et de gains colossaux, démontre, s'il le fallait encore, que le groupe représente le seul témoignage de l'âge d'or du rock'n'roll, et la preuve que leur musique est intemporelle. +In mid-1982, to commemorate their 20th anniversary, the Stones took their American stage show to Europe. [[Rolling Stones European Tour 1982|European Tour 1982]] was their first European tour in six years. The tour was essentially a carbon copy of the 1981 American tour. For the tour, the band was joined by former [[Allman Brothers Band]] piano player [[Chuck Leavell]], who continues to play and record with the Stones. By the end of the year, the band had signed a new four-album, 28 million dollar recording deal with a new label, [[CBS Records]].
-Les Stones sont considérés, avec [[les Beatles]], [[The Who|les Who]], [[Led Zeppelin|Led Zep]] et quelques autres, comme des inventeurs de la [[musique populaire]] moderne. Ils ont tenu à catégoriser dès les origines leur musique comme du ''[[Rhythm and Blues]]'' (d'après [[Ray Charles]], c'était le nom donné autrefois au ''Rock and roll'' avant qu'il ne devienne à la mode), et se réclamèrent à plusieurs reprises de la filiation des grands ''bluesmen''. Légendaires, ils continuent à attirer les foules, et apparaissent lors de grands événements, comme lors du superbowl<ref> {{en}}[http://news.bbc.co.uk/1/hi/entertainment/4684716.stm www.news.bbc.co.uk]</ref>.Les stones détiennent depuis leur apogée le titre du plus grand groupe de rock and roll du monde et le restera toujours .+=== 1983-1991 ===
 +[[Image:Tongue (Rolling Stones).svg|left|thumb|The Rolling Stones' "Tongue and Lip Design" logo;<br> was designed by [[John Pasche]].[http://www.johnpasche.com] ]]
 +Before leaving Atlantic the Stones released ''[[Undercover (album)|Undercover]]'' (UK 3; US 4) in late 1983. Despite good reviews the record sold below expectations and there was no tour to support it. Subsequently the Stones new marketer/distributor CBS Records which took over distributing the Stone's Atlantic catalogue.
-Le nom du groupe vient, en effet, d'un titre de Muddy Waters, mais qui est "Rolling Stone Blues" et non "Like a rolling stone" de Bob Dylan repris par les Stones eux-mêmes pendant la tournée "Voodoo Lounge" de 1995.+By this time the Jagger/Richards split was growing. Jagger had signed a solo deal with CBS to be distributed by Columbia, much to the consternation of Richards. Jagger spent much of 1984 writing songs for his first solo effort and as he admitted, he began to feel stultified within the framework of the Stones. In 1985, co-founder, pianist, road manager and long-time friend [[Ian Stewart (musician)|Ian Stewart]] died of a [[myocardial infarction|heart attack]]. According to Richards, Stewart's death left the band without a moderating force that could have helped during a period which, according to Richards, he and Jagger waged "WW III". By 1985, Jagger was spending more time on solo recordings and much of the material on 1986's ''[[Dirty Work (album)|Dirty Work]]'' (UK 4; US 4) was by Keith Richards, with more contributions by Ron Wood than on previous Stones albums. Rumors surfaced of the two rarely, if ever, being in the studio at the same time and Richards trying to keep it all afloat. Jagger refused to tour in support of the record feeling that several band members — including Charlie Watts who was fighting a heroin addiction{{Fact|date=November 2007}} — were in no shape to tour. Reviews were mixed although many fans at this time feel it was the nadir of the group. The Stones were awarded a [[Grammy Award]] for [[Grammy Lifetime Achievement Award|Lifetime Achievement]]. Jagger's solo records, ''[[She's the Boss]]'' (UK 6; US 13) (1985) and ''[[Primitive Cool]]'' (UK 26; US #41) (1987), met with moderate success, yet Richards disparaged both. With the Stones inactive due to Jagger's solo career and feeling he was backed into a corner, Richards released his first solo album in 1988, ''[[Talk Is Cheap]]'' (UK 37; US 24), which fans and critics received well, going Gold in U.S. Included on the ''Talk Is Cheap'' album was the song "You Don't Move Me", Richards' stab at his estranged songwriting partner.
-== Clips ==+In early 1989, The Rolling Stones, including Mick Taylor, Ronnie Wood and Ian Stewart (posthumously), were inducted into the American [[Rock and Roll Hall of Fame]]. Jagger and Richards appeared to have developed a new understanding and they recorded an album as The Rolling Stones, which became ''[[Steel Wheels]]'' (UK 2; US 3). Heralded as a return to form, it included the singles "[[Mixed Emotions (Rolling Stones song)|Mixed Emotions]]", "[[Rock and a Hard Place]]" and "[[Almost Hear You Sigh]]". Additionally, the album included "Continental Drift" recorded with Bachir Attar and the [[Master Musicians of Jajouka]] in Tangier in 1989.
-Un aspect important des Rolling Stones est la qualité de leurs clips vidéo. Truculents comme ''She Was Hot''(elle était chaude), touchants comme ''Harlem Shuffle'', simples comme ''Waiting On a Friend'', allusions aux exactions des escadrons de la mort en Amérique centrale comme ''Undercover'', et recourant pour certains à des techniques comme l'image de synthèse, les manipulations vidéo, voire le « portamento visuel » (« Like a rolling stone »), ils constituent des œuvres à part entière.+
-== Discographie ==+The subsequent U.S. [[Steel Wheels/Urban Jungle Tour|Steel Wheels Tour]] saw the Stones touring for the first time in seven years (since Europe 1982), and it was their biggest stage production to date. The opening acts were [[Living Colour]] and [[Guns N' Roses]]. By the time the tour reached Europe in 1990, the name had been changed to the [[Steel Wheels/Urban Jungle Tour|Urban Jungle Tour]]. Recordings from the tour produced the 1991 live album ''[[Flashpoint (album)|Flashpoint]]'' (UK 6; US 16). The live album included two songs recorded in 1991, the single "[[Highwire (song)|Highwire]]" and "Sex Drive". This tour was the last for Bill Wyman who, after years of deliberation and increasing unwillingness to tour any longer, left the band, although it was not made official until 1993. He then published ''Stone Alone'', an [[autobiography]], based on memoirs he had been writing since the early days in London. A few years later, he formed [[Bill Wyman's Rhythm Kings]] and began recording and touring again.
-Comme pour la plupart des artistes de l'époque, la discographie des Rolling Stones est problématique. En effet, avant 1967, des albums différents sont parus d'une part au [[Royaume-Uni]] (et pour l'[[Europe]]) et d'autre part aux [[États-Unis]]. Ensuite, les toutes premières chansons du groupe furent éditées à une période ou le format 33 tours n'était pas encore démocratisé, et beaucoup de faces B de 45 tours ne figurent toujours sur aucun album. En outre, leur discographie non-officielle, les [[Bootleg]], sont, tout au moins dans les 20 premières années de carrière, aussi voire beaucoup plus nombreux que leurs disques officiels, les [[Rolling Stones]] étant sur le podium des groupes les plus piratés de l'époque, aux côtés de [[Led Zeppelin|Led Zep]] et d'[[Aerosmith]].+===1992-1999===
 +After the successes of Steel Wheels/Urban Jungle tours, the band took a break. Charlie Watts released two jazz albums; Ronnie Wood made his fifth solo album, the first in 11 years, called ''Slide On This''; Keith Richards released his second solo album in late 1992, ''[[Main Offender]]'' (UK 45; US 99) and did a small tour including big concerts in Spain and Argentina. Mick Jagger got good reviews and sales with his third solo album ''[[Wandering Spirit]]'' (UK 12; US 11). The album sold more than two million copies worldwide, going Gold in U.S.
-=== Albums originaux ===+After Wyman's departure, the Stones' new distributor/record label, Virgin Records, remastered and repackaged the band's back catalogue from ''Sticky Fingers'' to ''Steel Wheels'' without the three live albums, and issued another hits compilation in 1993 entitled ''[[Jump Back: The Best of The Rolling Stones|Jump Back]]'' (UK 16; US 30). By 1993 the Stones set upon their next studio album. [[Darryl Jones]], former sideman of [[Miles Davis]] and [[Sting]], was chosen by Charlie Watts as Wyman's replacement for 1994's ''[[Voodoo Lounge]]'' (UK 1; US 2). The album met strong reviews and sales, going double platinum in the US. Reviewers took note of the album's "traditionalist" sounds, which were credited to the Stones' new producer [[Don Was]].<ref>[http://wm07.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:hifwxqqhldje "Voodoo Lounge"]''AMG'', [[2007]]. accessed [[3 September]] [[2007]]</ref> It would go on to win the 1995 Grammy Award for [[Grammy Award for Best Rock Album|Best Rock Album]].
-==== Éditions britanniques (avant 1967) ====+
-* ''[[The Rolling Stones (album)|The Rolling Stones]]'' ([[1964]])+
-* ''[[The Rolling Stones No. 2]]'' ([[1965]])+
-*''[[Out of Our Heads]]'' ([[1965]])+
-*''[[Aftermath (The Rolling Stones)|Aftermath]]'' ([[1966]])+
-*''[[Between the Buttons]]'' ([[1967]])+
-==== Éditions américaines (avant 1967) ====+1994 also brought the accompanying [[Voodoo Lounge Tour]], which lasted into 1995. Various recorded shows and rehearsals (mostly [[acoustic guitar|acoustic]]) made up ''[[Stripped (Rolling Stones album)|Stripped]]'' (UK 9; US 9), which featured a cover of Bob Dylan's "[[Like a Rolling Stone]]", as well as infrequently played songs like "[[Shine a Light (song)|Shine a Light]]", "Sweet Virginia" and "[[The Spider and the Fly (song)|The Spider and the Fly]]". This album tour was the first to showcase the talents of [[Lisa Fischer]] singing alongside Jagger in "Gimme Shelter", and the appearance of [[Bernard Fowler]], both strong backup singers who became regulars on the Stones tours.
-*''[[England's Newest Hit Makers]]'' ([[1964]])+The Rolling Stones ended the 1990s with the album ''[[Bridges to Babylon]]'' (UK 6; US 3), released in 1997 to mixed reviews. The video of the single "[[Anybody Seen My Baby?]]" featured [[Angelina Jolie]] as guest and met steady rotation on both MTV and VH1. Sales were reasonably equivalent to those of previous records (about 1.2 million copies sold in U.S), and the subsequent international tour [[Bridges to Babylon Tour]] that crossed Europe, North America and other destinations proved the band to be a strong live attraction. Once again, a live album was culled from the tour, ''[[No Security]]'' (UK 67; US 34), only this time all but two songs ("[[Live With Me]]" and "The Last Time") were previously unreleased on live albums. In 1999, the Stones staged the [[No Security Tour]] in the U.S and continued and finished the Babylon tour in Europe. The No Security Tour was a stripped down affair without all the pyrotechnics and mammoth stages.
-*''[[12 X 5]]'' ([[1964]])+
-*''[[Now !]]'' ([[1965]])+
-*''[[Out of Our Heads]]'' ([[1965]])+
-*''[[December's Children (And Everybody's)]]'' ([[1965]])+
-*''[[Aftermath (The Rolling Stones)|Aftermath]]'' ([[1966]])+
-*''[[Between the Buttons]]'' ([[1967]])+
-==== Éditions internationales (depuis 1967) ====+=== 2000-present ===
-{| class="wikitable"+In late 2001, Mick Jagger released his fourth solo album ''[[Goddess in the Doorway]]'' (UK 44; US 39), which met mixed reviews. Keith Richards called the album "Dogshit in the Doorway."<ref>[http://arts.guardian.co.uk/fridayreview/story/0,,1099640,00.html Alive and kicking]</ref> Jagger and Richards took part in "[[The Concert for New York City]]", performing "[[Salt of the Earth (song)|Salt of the Earth]]" and "Miss You" with a backing band.
-!align="center" rowspan=2 |Année+
-!align="left" rowspan=2 |Album+
-!align="center" colspan=6 |Charts+
-|-+
-!align="center" width="80"|<small> {{flagicon|France}} <small>+
-!align="center" width="80"|<small> {{flagicon|Canada}} <small>+
-!align="center" valign="top" width="80"|<small>{{flagicon|Belgique}}<small>+
-!align="center" valign="top" width="80"|<small>{{flagicon|Suisse}}<small>+
-!align="center" valign="top" width="80"|<small>{{flagicon|UK}}<small>+
-|-+
-|align="center" |[[1967 en musique|1967]]+
-|align="left" valign="top"|''''' [[Their Satanic Majesties Request]] '''''+
-|align="center" valign="top"|-+
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-|align="center" valign="top"|-+
-|align="center" valign="top"|3+
-|-+
-|align="center" |[[1968 en musique|1968]]+
-|align="left" valign="top"|'''''[[Beggars Banquet]]'''''+
-|align="center" valign="top"|-+
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-|align="center" valign="top"|3+
-|-+
-|align="center" |[[1969 en musique|1969]]+
-|align="left" valign="top"|''''' [[Let It Bleed]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|-+
-|align="center" |[[1971 en musique|1971]]+
-|align="left" valign="top"|''''' [[Sticky Fingers]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|-+
-|align="center" |[[1972 en musique|1972]]+
-|align="left" valign="top"|''''' [[Exile on Main Street]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|-+
-|align="center" |[[1973 en musique|1973]]+
-|align="left" valign="top"|'''''[[Goats Head Soup]]'''''+
-|align="center" valign="top"|-+
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-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|-+
-|align="center" |[[1974 en musique|1974]]+
-|align="left" valign="top"|'''''[[It's Only Rock'n Roll]]'''''+
-|align="center" valign="top"|-+
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-|align="center" valign="top"|-+
-|align="center" valign="top"|2+
-|-+
-|align="center" |[[1976 en musique|1976]]+
-|align="left" valign="top"|'''''[[Black and Blue (album)|Black and Blue]]'''''+
-|align="center" valign="top"|-+
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-|align="center" valign="top"|-+
-|align="center" valign="top"|2+
-|-+
-|align="center" |[[1978 en musique|1978]]+
-|align="left" valign="top"|''''' [[Some Girls]] '''''+
-|align="center" valign="top"|-+
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-|align="center" valign="top"|2+
-|-+
-|align="center" |[[1980 en musique|1980]]+
-|align="left" valign="top"|''''' [[Emotional Rescue]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|-+
-|align="center" |[[1981 en musique|1981]]+
-|align="left" valign="top"|''''' [[Tattoo You]] '''''+
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-|align="center" valign="top"|2+
-|-+
-|align="center" |[[1983 en musique|1983]]+
-|align="left" valign="top"|'''''[[Undercover (album)|Undercover]]'''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|5+
-|align="center" valign="top"|3+
-|-+
-|align="center" |[[1986 en musique|1986]]+
-|align="left" valign="top"|''''' [[Dirty Work]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|align="center" valign="top"|4+
-|-+
-|align="center" |[[1989 en musique|1989]]+
-|align="left" valign="top"|''''' [[Steel Wheels]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|2+
-|align="center" valign="top"|2+
-|-+
-|align="center" |[[1994 en musique|1994]]+
-|align="left" valign="top"|''''' [[Voodoo Lounge]] '''''+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|-+
-|align="center" valign="top"|'''1'''+
-|align="center" valign="top"|'''1'''+
-|-+
-|align="center" |[[1997 en musique|1997]]+
-|align="left" valign="top"|'''''[[Bridges to Babylon]]'''''+
-|align="center" valign="top"|2+
-|align="center" valign="top"|2+
-|align="center" valign="top"|-+
-|align="center" valign="top"|3+
-|align="center" valign="top"|6+
-|-+
-|align="center" |[[2005 en musique|2005]]+
-|align="left" valign="top"|''''' [[A Bigger Bang]] '''''+
-|align="center" valign="top"|3+
-|align="center" valign="top"|'''1'''+
-|align="center" valign="top"|3+
-|align="center" valign="top"|'''1'''+
-|align="center" valign="top"|2+
-|}+In 2002, the band released ''[[Forty Licks]]'' (UK 2; US 2), a [[greatest hits]] album to mark their forty years as a band. The collection contained four new songs recorded with the latter-day core band of Jagger, Richards, Watts, Wood, Leavell and Jones. The album has sold more than 7 million copies worldwide. The same year, [[Q (magazine)|''Q'' magazine]] named The Rolling Stones as one of the "50 Bands To See Before You Die",<ref>[http://www.rocklistmusic.co.uk/qlistspage2.html#Die… "Q - 50 Bands You Must See Before You Die"]''rocklist.neyt'', [[September]] [[2002]]. accessed [[7 June]] [[2007]]</ref> and the 2002-2003 [[Licks Tour]] gave people that chance. On [[30 July]] [[2003]], the band headlined the [[Molson Canadian Rocks for Toronto]] concert in [[Toronto]], [[Ontario]], [[Canada]], to help the city — which they had frequently used for rehearsals — recover from the 2003 [[Severe acute respiratory syndrome|SARS]] epidemic. The concert was attended by an estimated 490,000 people.
 +[[Image:Keith Richards Hannover 2006.jpg|thumb|200px|right|Keith Richards in Hannover, 2006, during the ''A Bigger Bang Tour'']]
 +On [[9 November]] [[2003]], the band played its first concert in [[Hong Kong]] as part of the [[Harbour Fest]] celebration, also in support of the SARS-affected economy. In November of 2003, the band exclusively licensed the right to sell their new 4-DVD boxed set, ''[[Four Flicks]]'', recorded on the band's most recent world tour, to the U.S. [[Best Buy]] chain of stores. In response, some Canadian and U.S. music retail chains (including [[HMV]] Canada and [[Circuit City]]) pulled Rolling Stones CDs and related merchandise from their shelves and replaced them with signs explaining the situation.<ref>[http://www.cnn.com/2003/SHOWBIZ/Music/11/03/stones.reut/index.html "Some U.S. retailers join Stones boycott"]''CNN'', [[November]] [[2003]]. accessed [[14 June]] [[2007]]</ref> In 2004, a double live album of the Licks Tour, ''[[Live Licks]]'' (UK 38; US 50) was released, going Gold in U.S.
-=== Albums en concert ===+On [[July 26]] [[2005]], Jagger's birthday, the band announced the name of their new album, ''[[A Bigger Bang]]'' (UK 2; US 3), their first album in almost eight years. ''A Bigger Bang'' was released on [[September 6]] to strong reviews, including a glowing write-up in ''[[Rolling Stone]]'' (noted for its consistent support of the group).<ref>[http://www.rollingstone.com/reviews/album/7590942/a_bigger_bang "A Bigger Bang: Review"] ''Rolling Stone'', [[22 September]] [[2005]]. accessed [[14 June]] [[2007]]</ref> The album included the most controversial song from the Stones in years, [[Sweet Neo Con (song)|"Sweet Neo Con"]], a criticism of [[Neoconservatism in the United States|American Neoconservatism]] from Jagger.<ref>[http://news.bbc.co.uk/1/hi/entertainment/4137698.stm "Stones 'slate Bush' in album song"]''BBC News'', [[2005]]. accessed [[16 October]] [[2007]]</ref> The song was reportedly almost dropped from the album due to objections from Richards. When asked if he was afraid of political backlash that the [[Dixie Chicks]] had endured for criticism of American involvement in the war in Iraq, Richards responded that the album came first, and that, "I don't want to be sidetracked by some little political "storm in a teacup".<ref>[http://www.youtube.com/watch?v=RE9-VP2zFpg]''CNN News'', [[2005]]. accessed [[27 November]] [[2007]]</ref>
 +The subsequent [[A Bigger Bang Tour]] began in August 2005, and visited North America, South America and East Asia. In February 2006, the group played the half-time show of [[Super Bowl XL]] in Detroit, Michigan. By the end of 2005, the Bigger Bang tour set a record of $162 million in gross receipts, breaking the North American mark also set by the Stones in 1994. Later that month, the band played to a claimed 1.5 million on the [[Copacabana]] beach in [[Rio de Janeiro]] in a free concert. After performances in New Zealand, Keith Richards went to hospital on May 2006 for brain surgery after a dubious "fall from a coconut tree"<ref>[http://www.uncut.co.uk/music/the_rolling_stones/special_features/8779 "KEITH RICHARDS AND THE FIJI FALL: THE MYSTERY DEEPENS"]''Uncut''. accessed [[5 October]] [[2007]]</ref> on [[Fiji]], causing a six-week postponement of the European leg of the tour.
 +
 +<!-- Commented out because image was deleted: [[Image:Rstonestoday.jpg|left|thumb|The Rolling Stones in 2005]] -->
 +The following month, it was reported that Ron Wood was entering rehabilitation for alcohol abuse. The Stones returned to North America for concerts in September 2006, and returned to Europe on June 5, 2007. By November 2006, the Bigger Bang tour had been declared the highest-grossing tour of all time, earning $437 million. The North American leg brought in the third-highest receipts ever ($138.5 million), trailing their own 2005 tour ($162 million) and the [[U2]] tour of that same year ($138.9 million).<ref>[http://www.allheadlinenews.com/articles/7005631070 "Stones Roll Over U2 To Claim Highest Grossing Concert Tour"]''[[All Headline News]]'', [[29 November]] [[2006]]</ref> The Stones show in Horsens, Denmark, drew 85,000 people, the largest audience at any show on the scheduled part of the tour.
-* [[1966]] : ''[[Got Live If You Want It]]'' +In late October 2006, filmmaker [[Martin Scorsese]] filmed the Stones at New York City's [[Beacon Theater]], featuring an audience that included several world leaders, for release in 2008 titled ''[[Shine a Light (film)|Shine a Light]]''<ref>[http://www.imdb.com/title/tt0893382/ "Shine A Light"]''[[Internet Movie Database]]'', [[16 January]] [[2007]]</ref> which includes performances with [[Jack White]] and [[Christina Aguilera]]. On March 24, 2007, the band announced a tour of Europe called the "Bigger Bang 2007" tour. June 12, 2007 saw the release of the Stones' second four-disc DVD set entitled ''[[The Biggest Bang]]'', a seven-hour document featuring the band's shows in [[Austin, Texas|Austin]], Rio de Janeiro, [[Saitama, Japan]], [[Shanghai]], and [[Buenos Aires]], as well as extras. As with their first DVD set, the collection will be sold exclusively through Best Buy.<ref>[http://biz.yahoo.com/cnw/070530/best_buy_biggest_bang.html?.v=1 "Best Buy Brings The Biggest Bang to Life for Rolling Stones Fans"]''[[Yahoo!]]'', [[30 May]] [[2007]]</ref>
-* [[1970]] : ''[[Get Yer Ya-Ya's Out!]]'' +[[Image:Charlie Watts Hannover 19-07-2006.jpg|right|thumb|Charlie Watts in Hannover, 2006]]
-* [[1977]] : ''[[Love You Live]]''+On [[June 10]], [[2007]], the band performed their first gig at a festival in 30 years, at the [[Isle of Wight Festival]], to a crowd of 50,000. On [[August 26]], [[2007]] they played their last concert of the [[A Bigger Bang Tour]]. Mick Jagger released a compilation of his solo work called ''[[The Very Best Of Mick Jagger]]'' (UK 57; US 77) including 3 unreleased songs on [[October 2]], [[2007]]. Rumours for a new tour in 2008 were confirmed by Ronnie Wood in a recent interview.{{Fact|date=October 2007}}
-* [[1982]] : ''[[Still Life – American Concert 1981]]'' +
-* [[1991]] : ''[[Flashpoint (album)|Flashpoint]]'' +
-* [[1995]] : ''[[Stripped (The Rolling Stones)|Stripped]]'' +
-* [[1996]] : ''[[The Rock and Roll Circus]]'' +
-* [[1998]] : ''[[No Security]]'' +
-* [[2004]] : ''[[Live Licks]]''+
-=== Compilations et albums de collection ===+On [[September 26]], 2007, it was announced The Rolling Stones had made $437 million on the A Bigger Bang Tour to list them in the latest [[edition]] of [[Guinness World Record]].<ref>[http://www.msnbc.msn.com/id/20991144/ MSNBC< Another Stones record — this one in Guinness]</ref>
-* ''[[Big Hits - High Tide and Green Grass]]'' ([[1966]])+
-* ''[[Flowers]]'' ([[1967]])+
-* ''[[Through the Past Darkly (Big Hits Vol. 2)]]'' ([[1969]])+
-* ''[[Hot Rocks 1964-1971]]'' ([[1971]])+
-* ''[[Stone Age (The Rolling Stones)|Stone Age]]'' ([[1971]])+
-* ''[[More Hot Rocks (Big Hits & Fazed Cookies)]]'' ([[1972]])+
-* ''[[Milestones (The Rolling Stones)|Milestones]]'' ([[1972]])+
-* ''[[Gimme Shelter (album)|Gimme Shelter]]'' ([[1972]])+
-* ''[[Rock N' Rolling Stones]]'' ([[1972]])+
-* ''[[No Stone Unturned]]'' ([[1973]])+
-* ''[[Metamorphosis]]'' ([[1975]])+
-* ''[[Rolled Gold]]'' ([[1975]])+
-* ''[[Made in the Shade]]'' ([[1975]])+
-* ''[[Time Waits for No One]]'' ([[1978]])+
-* ''[[Sucking in the Seventies]]'' ([[1981]])+
-* ''[[Solid Rock]]'' ([[1981]])+
-* ''[[Slow Rollers]]'' ([[1981]])+
-* ''[[Rewind (album)|Rewind]]'' ([[1984]])+
-* ''[[The London Years]]'' ([[1989]])+
-* ''[[Jump Back '71-'91]]'' ([[1993]])+
-* ''[[Forty Licks]]'' ([[2002]])+
-* ''[[Rarities]]'' ([[2005]])+
-* ''[[Rolled Gold Plus - The Very Best Of The Rolling Stones]]'' ([[2007]])+
-===Quelques bootlegs===+On [[November 12]], 2007, the double compilation ''[[Rolled Gold+: The Very Best of the Rolling Stones]]'' (UK 26) was re-released for the Christmas season.
-Liste non exhaustive, car encore plus problématique à réaliser que pour les disques officiels; les [[Bootleg]] des Stones se répartissant eux-mêmes en 3 sous-catégories. Les pirates Live, Les pirates studios, et les interviews.+
-* [[1969]] ''[[The trident mixes]]''+== Musical evolution ==
-* [[1970]] ''[[Thee satanic sessions]]+
-* [[1972]] ''[[Welcome to New York!]] (live)+
-* [[1975]] ''[[Reggae 'n' roll]]+
-* [[1978]] ''[[Some more girls]]+
-* [[1978]] ''[[Place Pigalle - Some more girls 2]]'' +
-* [[1979]] ''[[The black album]]''+
-* [[1984]] ''[[On top of old smokey]]'' (live)+
-* [[1995]] ''[[Miami dice]]'' (live)+
-Pour une liste beaucoup plus complète, voir le site suivant+The Rolling Stones are extremely notable in modern popular music for assimilating various musical genres into their recording and performance; ultimately making the styles their very own. The band's career is marked by a continual reference and reliance on musical styles like American blues, country, folk, reggae, dance; world music exemplified by the [[Master Musicians of Jajouka]]; as well as traditional English styles that use stringed instrumentation like [[harps]]. The band cut their musical teeth by covering early rock and roll and blues songs, and have never stopped playing live or recording cover songs.
-* {{fr}} http://www.sympathyforthedevils.com/bootlegs_cadre.htm+=== Infusion of American Blues ===
-==Vidéographie==+Often the first instances of this come through the Stones' use of a blues-based R&B sound. Jagger and Richards' shared interest in the Americans Jimmy Reed, Muddy Waters, and Little Walter, were influential on the band's leader, Brian Jones, of whom Richards says, "He was more into T-Bone Walker and jazz-blues stuff. We'd turn him onto Chuck Berry and say, 'Look, it's all the same shit, man, and you can do it.'"<ref name=RSkeith /> Charlie Watts, a traditional jazz drummer, was also turned onto the blues after his introduction to the Stones. "Keith and Brian turned me on to Jimmy Reed and people like that. I learned that Earl Phillips was playing on those records like a jazz drummer, playing swing, with a straight four..."<ref name=according />
-* [[1968]] : ''[[one plus one]]'', film de [[Jean-Luc Godard]](DVD)+
-* [[1969]] : ''[[The Stones in the Park]]'' (VHS)+
-* [[1972]] : ''[[Cocksucker Blues]]''+
-* [[1982]] : ''[[Let's Spend the Night Together]]'' (VHS)+
-* [[1984]] : ''[[Video Rewind]]'' (VHS)+
-* [[1989]] : ''[[25x5 - The continuing adventures of the Rolling Stones]]'' (VHS)+
-* [[1994]] : ''Live At The Max'' (VHS+DVD)+
-* [[1995]] : ''Voodoo Lounge'' (Concert de Miami le 25 novembre 1994) (VHS+DVD)+
-* [[1996]] : ''[[The Rock and Roll Circus]]'' (DVD - concert de 1968)+
-* [[1998]] : ''Live Bridges To Babylon'' (concert de St Louis le 11 décembre 1997) (VHS+DVD)+
-* [[2001]] : ''[[Gimme Shelter (film)|Gimme Shelter]]'' (VHS)+
-* [[2002]] : ''Four Flicks'' (Coffret 4 DVD, incluant 3 concerts, dont l'Olympia de Paris le 11 juillet 2003)+
-* [[2006]] : '' Brian Jones & les Rolling Stones'' (DVD)+
-* [[2007]] : ''The Biggest Bang'' (Coffret 4 DVD)+
-* [[2007]] : ''Shine a Light'' (Film) / by Martin Scorcese+
-== Extraits d'interviews ==+Jagger, recalling when he first heard the likes of Chuck Berry, Bo Diddley, Muddy Waters, [[Fats Domino]] and other heavies of the American blues scene, said it "seemed the most real thing"<ref>Davin Seay''Mick Jagger:The Story Behind the Rolling Stone''. York: Birch Lane Press, 1993. </ref> he had heard up to that point. Similarly, Keith Richards, describing the first time he listened to Muddy Waters, said it was the "most powerful music [he had] ever heard...the most expressive."<ref>Robert Gordon. ''Can't Be Satisfied'' New York: Little, Brown and Company, 2002.</ref> These strong early impressions helped fuse the music of the American Blues into the foundation of the Rolling Stones.
-Quelques perles des ''Stones''! (liste non exhaustive)+=== Early songwriting ===
-'''1969'''+Despite the Stones' prevalance for blues and R&B numbers on their early live setlists, the first original compositions by the band reflected a more wide-ranging interest. The first Jagger/Richards single, "[[Tell Me (You're Coming Back)]]," is called by critic [[Richie Unterberger]] a "pop/rock ballad... When [Jagger and Richards] began to write songs, they were usually not derived from the blues, but were often surprisingly fey, slow, Mersey-type pop numbers."<ref>[http://wm06.allmusic.com/cg/amg.dll?p=amg&token=&sql=33:fifyxqtdld0e "Tell Me"]''[[allmusic]]'', accessed [[14 December]] [[2007]]</ref> "[[As Tears Go By]]," the ballad originally written for [[Marianne Faithfull]], was one of the first songs written by Jagger and Richards and also one of many written by the duo for other artists. Jagger said of the song, "It's a relatively mature song considering the rest of the output at the time. And we didn't think of [recording] it, because the Rolling Stones were a butch blues group."<ref name=jaggerremembers>{{cite web| last = Wenner| first = Janner| title = Jagger Remembers| work = Rolling Stone| publisher = Rolling Stone | url = http://www.rollingstone.com/news/coverstory/mick_jagger_remembers| accessdate = 2006-12-14}}</ref> The Stones did record a version which became a top five hit in the U.S.<ref>[http://wm06.allmusic.com/cg/amg.dll?p=amg&sql=33:abfuxx9sldse "As Tears Go By"]''[[allmusic]]'', accessed [[14 December]] [[2007]]</ref>
-Q: Êtes-vous davantage satisfait aujourd'hui après le succès de ''[[(I Can't Get No) Satisfaction]]''?+On the early experience, Richards said, "The amazing thing is that alothough Mick and I thought these songs were really puerile and kindergarten-time, every one that got put out made a decent showing in the charts. That gave us extraordinary confidence to carry on, because at the beginning songwriting was something we were going to do in order to say to Andrew [Loog Oldham], 'Well, at least we gave it a try...'"<ref name=according /> Jagger said, "We were very pop-oriented. We didn't sit around listening to Muddy Waters; we listened to everything. In some ways it's easy to write to order... Keith and I got into the groove of writing those kind of tunes; they were done in ten minutes. I think we thought it was a bit of a laugh, and it turned out to be something or an apprenticeship for us." <ref name=according />
-* R: "Sexuellement satisfait, financièrement pas satisfait et philosophiquement à l'essai (''Mick Jagger'')+
-'''1987'''+==Band members==
 +{| class="toccolours" border=1 cellpadding=2 cellspacing=0 style="width: 500px; margin: 0 0 1em 1em; border-collapse: collapse; border: 1px solid #E2E2E2;"
 +===Line-ups===
 +|-
 +! bgcolor="#E7EBEE" | (1962)
 +|
 +* [[Mick Jagger]] - [[lead vocals]], [[harmonica]], [[percussion]]
 +* [[Keith Richards]] - guitars, [[backing vocals]]
 +* [[Brian Jones]] - guitars, backing vocals, harmonica, percussion
 +* [[Ian Stewart (musician)]] - [[piano]], [[keyboard instrument|keyboards]], percussion
-Q: Vous devez avoir zoné partout en 25 années de travail avec les ''Stones''.+with
-* R: "Oui, zoné 20 et travaillé 5" (''Charlie Watts'')+
-'''1996'''+* [[Trevor Whittaker]] - [[rhythm guitar]], percussion
 +* [[Dick Taylor]] - [[bass guitar|bass]]
 +* [[Tony Chapman]] - [[drum kit|drums]]
 +* [[Carlo Little]] - [[drums]]
 +* [[Mick Avory]] - drums
 +|-
 +! bgcolor="#E7EBEE" | (1962-1963)
 +|
 +* Mick Jagger - lead vocals, harmonica, percussion
 +* Keith Richards - guitars, backing vocals
 +* Brian Jones - guitars, backing vocals, harmonica, percussion
 +* [[Bill Wyman]] - bass
 +* Ian Stewart - piano, keyboards, percussion
 +|-
 +! bgcolor="#E7EBEE" | (1963-1969)
 +|
 +* Mick Jagger - lead vocals, harmonica, percussion
 +* Keith Richards - guitars, vocals, bass, keyboards
 +* Brian Jones - guitars, backing vocals, harmonica, keyboards, bass, [[sitar]], [[reed (music)|reeds]], percussion, [[dulcimer]], [[woodwind]], [[tamboura]], [[recorder]], [[clarinet]], [[autoharp]]
 +* [[Charlie Watts]] - drums, percussion
 +* Bill Wyman - bass, backing vocals, percussion, keyboards
 +|-
 +! bgcolor="#E7EBEE" | (1969-1974)
 +|
 +* Mick Jagger - lead vocals, harmonica, keyboards, percussion, guitar
 +* Keith Richards - guitars, vocals, bass, keyboards
 +* [[Mick Taylor]] - guitars, bass, [[synthesizer]], percussion, backing vocals
 +* Charlie Watts - drums, percussion
 +* Bill Wyman - bass, [[synthesizer]]
 +|-
 +! bgcolor="#E7EBEE" | (1974-1993)
 +|
 +* Mick Jagger - lead vocals, harmonica, keyboards, guitar
 +* Keith Richards - guitars, vocals, bass
 +* [[Ron Wood]] - guitars, backing vocals, percussion, bass
 +* Charlie Watts - drums, percussion
 +* Bill Wyman - bass, synthesizer
 +|-
 +! bgcolor="#E7EBEE" | (1993-present)
 +|
 +* Mick Jagger - lead vocals, harmonica, percussion, guitar, bass, keyboards
 +* Keith Richards - guitars, vocals, bass, keyboards
 +* Ron Wood - guitars, backing vocals, bass
 +* Charlie Watts - drums, percussion
 +|}
-Q: ''Daryll Jones'' (successeur de [[Bill Wyman]] à la basse) sera t-il un jour considéré comme membre à part entière des ''Stones''?+==Discography==
-* R: "Oui, tous les gens qui jouent des chansons des ''Rolling Stones'' avec moi sont des ''Rolling Stones" ''(''Keith Richards'')''+{{see|The Rolling Stones discography}}
-* R: "Non, le groupe est trop vieux" (''Mick Jagger'')+
-'''199?'''+==Tours==
 +* 2005-2007 - [[A Bigger Bang Tour]]
 +* 2002/2003 - [[Licks Tour]]
 +* 1999 - [[No Security Tour]]
 +* 1997/1998 - [[Bridges To Babylon Tour]]
 +* 1994/1995 - [[Voodoo Lounge Tour]]
 +* 1989/1990 - [[Steel Wheels/Urban Jungle Tour]]
 +* 1982 - [[Rolling Stones European Tour 1982|European Tour 1982]]
 +* 1981 - [[Rolling Stones American Tour 1981|American Tour 1981]]
 +* 1978 - [[Rolling Stones US Tour 1978|US Tour 1978]]
 +* 1976 - [[Rolling Stones Tour of Europe '76|Tour of Europe '76]]
 +* 1975 - [[Rolling Stones Tour of the Americas '75|Tour of the Americas '75]]
 +* 1973 - [[The Rolling Stones European Tour 1973|European Tour 1973]]
 +* 1973 - [[The Rolling Stones Pacific Tour 1973|Pacific Tour 1973]]
 +* 1972 - [[The Rolling Stones American Tour 1972|American Tour 1972]] (also known as S.T.P. Tour)
 +* 1971 - [[The Rolling Stones UK Tour 1971|UK Tour 1971]] (also known as the Goodbye Britain Tour)
 +* 1970 - [[The Rolling Stones European Tour 1970|European Tour 1970]]
 +* 1969 - [[The Rolling Stones American Tour 1969|American Tour 1969]] (famous but didn't seem to have a name)
 +* 1967 - European Tour
 +* 1966 - Australia and New Zealand Tour, European Tour, North American Tour, British Tour
 +* 1965 - 1 Far East tour, 4 European tours, 3 British tours, 2 North American tours
 +* 1964 - 4 British tours, 2 US tours, 1 concert on European Continent (The Netherlands)
 +* 1963 - British Tour (as an opening act)
-Q: Quel est votre sentiment à propos de la décision de la reine d'[[Angleterre]], concernant votre anoblissement? (Mick Jagger est devenu Lord)+==Videography==
-* R: "Je suis très content d'être récompensé pour 30 ans de mauvaise conduite" (''Mick Jagger'')+* 1968: ''[[One Plus One]]'' (also titled ''Sympathy for the Devil''), film by [[Jean-Luc Godard]] (DVD)
 +* 1969: ''Stones in the Park'' (DVD)
 +* 1970: ''[[Gimme Shelter (film)|Gimme Shelter]]'' (DVD)
 +* 1972: ''[[Cocksucker Blues]]''
 +* 1974: ''[[Ladies and Gentlemen: The Rolling Stones]]''
 +* 1982: ''[[Let's Spend the Night Together (film)|Let's Spend the Night Together]]'' (DVD)
 +* 1984: ''[[Video Rewind]]'' (VHS)
 +* 1989: ''[[25x5 - The continuing adventures of the Rolling Stones]]'' (VHS)
 +* 1990: ''[[Stones at the Max]]'' (VHS)
 +* 1995: ''[[The Rolling Stones: Voodoo Lounge Live]]'' (DVD)
 +* 1996: ''[[The Rolling Stones Rock and Roll Circus]]'' (DVD - concert from 1968)
 +* 1998: ''[[Bridges To Babylon Tour '97-98]]'' (DVD)
 +* 2003: ''[[Four Flicks]]'' (DVD)
 +* 2007: ''[[The Biggest Bang]]'' (DVD)
 +* 2008: ''[[Shine a Light (film)|Shine a Light]]'' directed by Martin Scorcese
-* R: Eh les gars, n'essayez pas de vieillir avec élégance, ça ne vous irait pas! ([[Pete Townshend]] durant un discours d'intronisation des ''Stones'' au "Rock 'n' roll Hall of Fame").+==See also==
 +*[[List of best-selling music artists]]
 +*[[List of artists who reached number one on the U.S. Mainstream Rock chart]]
-Q: Vous savez pourquoi la célèbre marque de cigarettes américaines, avec un cow-boy sur le paquet rouge et blanc, a des bouts filtres blancs aux USA et jaunes en Europe?+==References==
-* R: "C'est pour permettre à [[Keith Richards]] de savoir sur quel continent il se trouve, parce que sinon..." {{référence nécessaire}}+{{reflist|3}}
-== Voir aussi ==+==Further reading==
 +* [http://www.therollingstones-thephotobookbygeredmankowitz.com?aid=wiki/ Gered Mankowitz: The Rolling Stones - Out of Their Heads.] Photographs 1965-67 and 1982. [ISBN 3-89602-664-X]
 +*[[Stanley Booth, ''The True Adventures of the Rolling Stones'', Chicago Review Press (2000), ISBN 1-55652-400-5
 +*Stanley Booth, ''Dance With the Devil: The Rolling Stones and Their Times'', Random House (1984), ISBN 0-394-53488-3
 +*[[Roy Carr]], ''The Rolling Stones: An Illustrated Record'', Harmony Books (1976), ISBN 0-517-52641-7
 +*Robert Greenfield, ''S.T.P.: A Journey Through America With The Rolling Stones'' (1974), Reissued De Capo Press, 2002. ISBN 0-306-81199-5
 +*[[Greil Marcus]], "Myth and Misquotation", ''The Dustbin Of History'', Harvard University Press (1997), ISBN 0-674-21858-2
 +* James Phelge, "Nankering with the Rolling Stones", 2000. ISBN 1556523734
 +*The Rolling Stones, ''According to The Rolling Stones'', Chronicle Books (2003), ISBN 0-8118-4060-3
 +*[http://www.gramparsons.com/faq/ The Gram Parsons Homepage FAQ]
 +* [http://archives.cbc.ca/IDD-1-68-832/arts_entertainment/rolling_stones/ CBC Digital Archives - The Rolling Stones: Canada gets Satisfaction]
 +* [http://www.genesis-publications.com/books/tota/index.html T.O.T.A '75] The official illustrated account of The Rolling Stones Tour of The Americas '75
 +* Stanley Booth, "Keith:Standing In The Shadows", St. Martin's Press (1995), ISBN 0-312-11841-4
-=== Documentation externe ===+==External links==
-'''Bibliographie''' :+{{commoncat|Rolling Stones}}
-*[[David Dalton]] : ''Rolling Stones - An unauthorized biography in words, photographs and music'', Amsco Music Publishing Company - New York, [[1971]] {{ISBN|0825616692}}.+* [http://www.rollingstones.com/ Official website]
-*[[Stanley Booth]] : ''The True Adventures of the Rolling Stones'', [[2000]] {{ISBN|1556524005}}.+* [http://www.iorr.org/ IORR The Rolling Stones Fan Club of Europe]
-*[[François Bon]] : ''Les Rolling Stones, une biographie'', [[2002]] {{ISBN|2213613087}}. +* {{MusicBrainz artist|id=b071f9fa-14b0-4217-8e97-eb41da73f598|name=The Rolling Stones}}
-*[[Philipp Norman]] : ''The Stones'', Penguin {{ISBN|0140174117}}.+* [http://www.rollingstone.com/artists/therollingstones/biography The Rolling Stones] at [[Rolling Stone]]
-*[[Bill Wyman]] : ''Stone Alone'', [[1996]] {{ISBN|0306807831}}.+* [http://www.discogs.com/artist/Rolling+Stones,+The The Rolling Stones] at [[Discogs]]
-*[[Bill Wyman]] : ''Rolling with the Stones'', [[2003]] {{ISBN|0789499983}}.+* [http://tsort.info/music/r3kx6r.htm The Rolling Stones songs in the charts]
-*[[Rolling Stones]] : ''Selon les Rolling Stones'', Fayard, [[2003]] {{ISBN|2213616795}}.+* [http://www.paulbowles.org/photosfriendsfour.html The Rolling Stones recording their ''Steel Wheels'' album with Bachir Attar and The Master Musicians of Jajouka in 1989]
-*[[James Phelge]] : ''Nankering With the Rolling Stones'', [[2000]] {{ISBN|1556523734}}.+* {{imdb name|1213869|The Rolling Stones}}
-*[[Rock & Folk]] : ''numéro 466 de juin 2006''+
-*[[Jukebox Magazine]] : ''numéro 231 de juin 2006''+
-*Plusieurs livres de photos d'art (+ les livres de Wyman et Wood) chez [[Genesis Publications]]+
-*[[François Jouffa]] et [[Jacques Barsamian]] : ''Les Stones 40 ans de rock & roll'', Ramsay, [[2003]].+
-*[[Robert Greenfield]] : ''STP : A Journey Trough America with the Rolling Stones'', [[2002]] {{ISBN|0304811995}}.+
-*[[Gered Mankowitz]] : ''The Rolling Stones - Out of Their Heads''. Photographs 1965-67 and 1982 {{ISBN| 389602664X}}.+
-*[[Andrew Loog Oldham]] : ''Rolling Stoned'', Flammarion, 2006.+
-===Liens externes=== 
-* {{en}} [http://www.rollingstones.com Site officiel des Rolling Stones] 
-== Notes et références ==+{{The Rolling Stones}}
-<references />+
-{{Multi bandeau|portail musique|portail rock}}+
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Version actuelle

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The Rolling Stones are an English band whose rhythm and blues and rock & roll- based music became popular during the "British Invasion" in the early 1960s.<ref name=rockhall> The Rolling Stones Biography

. Rock and Roll Hall of Fame and Museum
. The Rock and Roll Hall of Fame and Museum, Inc.  
 

 

. Retrieved on 2006-06-01. </ref> The band was formed in London in 1962 by original leader Brian Jones, but was eventually led by the songwriting partnership of singer Mick Jagger and guitarist Keith Richards. Pianist Ian Stewart, drummer Charlie Watts and bassist Bill Wyman completed the early lineup. Ian Stewart was removed from the official lineup in 1963 but continued to work with the band as road manager and keyboardist until his death in 1985. The band's early albums were mainly covers of American blues and R&B songs. The band's single, "(I Can't Get No) Satisfaction," established the Stones as a premier rock and roll act.<ref>"(I Can't Get No) Satisfaction"allmusic, accessed 14 December 2007</ref> Starting with their 1966 album Aftermath, the songs of Jagger and Richards aided by the instrumental experimentation of Jones expanded an always present stylistic flexibilty. Jones died in 1969 shortly after being fired from the band and was replaced by Mick Taylor. After Taylor quit in 1974, former Faces guitarist Ron Wood took over. Wyman retired in 1993 being replaced by Darryl Jones, who is not an official member.

The band has released 55 albums of original work<ref> Rolling Stones Discography

. All Music Guide
. All Media Guide  
 

 

. Retrieved on 2006-12-21. </ref> and compilations, and have had 32 U.K & U.S top-10 singles.<ref> Paulson , John




.    Deep Cuts: The Essential Stones 
. Deep Cuts
. Bullz Eye Music 
   

. Retrieved on 2006-12-21. </ref> They have sold more than 200 million albums worldwide.<ref>"Everything is turning to gold", Record sales of the Rolling Stones.</ref> 1971's Sticky Fingers began a string of eight consecutive studio albums at number one in the United States. In 1989 the Rolling Stones were inducted into the American Rock and Roll Hall of Fame, and in 2004 they were ranked number 4 in Rolling Stone magazine's 100 Greatest Artists of All Time.<ref> The Immortals: The First Fifty

. Rolling Stone Issue 946
. Rolling Stone  
 

 

. Retrieved on 2006-12-21. </ref> They are also ranked as the number 2 artists of all time on Acclaimedmusic.net.<ref> The Top 1000 Artists of All Time

. Acclaimedmusic.net  
 

 

. Retrieved on 2007-12-14. </ref> Their latest album, A Bigger Bang, was released in 2005 and accompanied by their highest-grossing tour, which lasted into late summer 2007. During the 1969 American tour, tour manager Sam Cutler introduced them as "The Greatest Rock and Roll Band in the World"<ref name=AMG />, a title which has remained. Their image of unkempt and surly youth is one that many musicians still emulate.<ref name=AMG> Erlewine , Stephen Thomas




.    Rolling Stones Biography 
. All Music Guide
. All Media Guide 
   

. Retrieved on 2006-12-21. </ref>

Sommaire

Band history

Founding: 1960-1962

In 1951 Keith Richards and Mick Jagger were classmates at Wentworth Primary School, which is still around today.<ref>"Biography of the Stones"</ref> They met again in 1960 while Richards was attending Sidcup Art College.<ref name=stonemag > The Rolling Stones Biography

. Rolling Stone
. Rolling Stone magazine  
 

 

. Retrieved on 2006-06-06. </ref> Richards recalled "I was still going to school, and he was going up to the London School of Economics... So I get on this train one morning, and there's Jagger and under his arm he has four or five albums... He's got Chuck Berry and Little Walter, Muddy Waters"<ref name=RSkeith >Modèle:Cite book</ref> With mutual friend Dick Taylor (later of Pretty Things), they formed the band Little Boy Blue and the Blue Boys.<ref name=stonemag /> Stones founders Brian Jones and pianist Ian Stewart were active in the London R&B scene fostered by Cyril Davies and Alexis Korner. Jagger and Richards met Jones while he was playing slide guitar sitting in with Korner's Blues Inc. Korner also had hired Jagger periodically and frequently future Stones drummer Charlie Watts.<ref name=rockhall /> Their first rehearsal was organized by Jones and included Stewart, Jagger and Richards - the latter came along at Jagger's invitation. In June 1962 the lineup was: Jagger, Richards, Stewart, Jones, Taylor, and drummer Tony Chapman. Taylor then left the group. Jones renamed the band The Rollin' Stones, after the song "Rollin' Stone" by Muddy Waters.<ref name=AMG /><ref> Muddy Waters:Rollin' Stone

. Rolling Stone.com
. Rolling Stone  
 

 

. Retrieved on 2006-12-21. </ref>

1962-1964

Image:Rstones5.jpg
The Rolling Stones, c. 1963.

On 12 July 1962 the group played its first formal gig at the Marquee club in central London (the first had been an informal performance in Ealing, west London), billed as "The Rollin' Stones".<ref name=according >Modèle:Cite book</ref> The line-up was Jagger, Richards, Jones, Stewart on piano, Taylor on bass and Tony Chapman on drums. Jones intended for the band to play primarily Chicago blues, but Jagger and Richards brought the rock 'n roll of Chuck Berry and Bo Diddley to the band.[citation needed] Bassist Bill Wyman joined in December and drummer Charlie Watts the following January to form the Stones' long standing rhythm section.<ref name=according /><ref name=stonemag />

The Stones' first manager Giorgio Gomelsky booked the band to play at his Crawdaddy Club <ref name=stonemag /> for what became an eight-month residency during which their fan base grew to include the The Beatles. The Beatles in turn recommended the Stones to their publicist Andrew Loog Oldham[citation needed], who promptly signed the band to a management deal with his partner and veteran booker Eric Easton. (Gromelsky -who had no written agreement with the band - was not consulted.) George Harrison likewise persuaded Dick Rowe of Decca Records (who came to regret turning down the Beatles) that he should sign the Stones.<ref>"Everything You Need to know about The Rolling Stones BBC.</ref> Their first EP, The Rolling Stones and album (also titled The Rolling Stones, titled in US England's Newest Hit Makers), were composed primarily of covers drawn from the band's live repertoire. A notable hit from the album was the band's first Top 40 single written by Jagger and Richards, "Tell Me (You're Coming Back)". After signing with Decca, the Stones began touring the UK and Europe. On their first tour of England, the Stones were packaged with American stars including Ike and Tina Turner, Bo Diddley, The Ronettes, The Everly Brothers and Little Richard.<ref name=according /> The first tour also cemented the Stones' shift from a rhythm and blues band to more of a pop band, resulting in a reduction in the number of blues songs the band played live. Following the release of the US only 12 X 5, The Rolling Stones No. 2 (The Rolling Stones, Now! in the United States) (UK #1; US #5) again contained mainly cover tunes, but was augmented by songs composed by Jagger and Richards. After the album's release, the band began to tour constantly. The Rolling Stones' first UK chart-topper was the cover of "It's All Over Now" in June 1964.

During the first American tour in June 1964, the Stones began years of recording exclusively at American studios Chess Studios in Chicago and RCA Studios in Los Angeles.<ref name=AMG /> The Stones' version of “Little Red Rooster,” which went to number 1 in the UK, was banned in the US because of its “objectionable” lyrics.Modèle:Vague Oldham crafted the band's image of long-haired tearaways "into the opposite of what the Beatles [were] doing" .<ref name=rockhall/> The Stones also appeared on American variety shows such as The Ed Sullivan Show. Sullivan reacted to the pandemonium the Stones caused and promised to never book them again, though he later did book them repeatedly .<ref name=rockhall />. On a TV variety show The Hollywood Palace the host, Dean Martins, mocked their hair during their appearance.<ref>"The Hollywood Palace"TV.com, accessed 1 June 2007</ref> In October the band immediately followed James Brown in the filmed theatrical release of The T.A.M.I. Show, which showcased American acts with British Invasion artists. According to Jagger in 2003, "We weren't actually following James Brown because there were hours in between the filming of each section. Nevertheless, he was still very annoyed about it..."<ref name=according />. The first American tour was not an overwhelming success: the band had not topped the charts and poor booking marred many live appearances.[citation needed]

1965-1969

The first Jagger/Richards composition at number 1 in the UK was "The Last Time" in early 1965. The U.S. version of that year's Out of Our Heads LP contained seven original songs, including "(I Can't Get No) Satisfaction" which became the band's first number one in the US where it remained for four weeks in July, and established the Stones as a worldwide premier act. Shortly thereafter they released their second number one, "Get Off of My Cloud".<ref name=rockhall /> Out of Our Heads and the US-only released December's Children were also the last Stones albums to predominantly feature covers. The release Aftermath (UK number 1 ; US 2) in the late spring of 1966 was the first Stones album to be composed only of Jagger/Richards songs. Leadership of the band also shifted from Jones to the songwriting duo. The American version of the LP included the chart-topping, Middle Eastern-influenced "Paint It, Black", the ballad "Lady Jane", and the almost 12-minute long "Going Home", the first extended jam on a top selling Rock 'n' Roll album; later Jimi Hendrix, Cream and other sixties and seventies bands would release long jams routinely.

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Jagger, Richards and Jones began to be hounded by authorities over illegal drug use. In 1967 the Sussex police, tipped off by the News of the World, raided a party at Keith Richards' home, "Redlands". Jagger and Richards were charged with drug offences. Richards said in 2003, "When we got busted at Redlands, it suddenly made us realize that this was a whole different ball game and that was when the fun stopped. Up until then it had been as though London existed in a beautiful space where you could do anything you wanted."<ref name=according/>

Amid this, January saw the release of Between the Buttons (UK number 3;US 2). The US version included the double A-side singles of "Let's Spend the Night Together" and "Ruby Tuesday". The Stones performed the former on The Ed Sullivan Show in the USA, where Jagger was forced to mumble the song's lyrics and change the chorus to "Let's Spend Some Time Together" due to the threat of censorship.<ref name=stonemag/> The album was Oldham's last venture as the Stones' producer (and, effectively, manager as well). On his departure, Jagger said in 2003, "The reason Andrew left was because he thought that we weren't concentrating and that we were being childish. It was not a great moment really - and I would have thought it wasn't a great moment for Andrew either. There were a lot of distractions and you always need someone to focus you at that point, that was Andrew's job."<ref name=stonemag /> Oldham, in his biography, says it was because his shortage of money led to his surrendering his management contract to others.

In May 1967, shortly before the trials of Jagger and Richards, Brian Jones was arrested for possession of cannabis<ref name=stonemag /> He escaped with a fine and probation but was told to seek professional help. On 27 June Jagger and Richards were convicted and jailed.<ref name=stonemag /> Following an editorial critical of the convictions and sentences in The Times, entitled "Who breaks a butterfly upon a wheel?", Richards' conviction was quashed on appeal, and Jagger's sentence reduced to a conditional discharge. The band recorded a new single, "We Love You", as a thank-you for the loyalty shown by their fans during the trials.<ref>Janovitz, Bill. The Rolling Stones "We Love You". allmusic. 2007 (accessed 1 June 2007).</ref> It began with the sound of opening prison doors and in TV films to promote the record Jagger dressed in a style reminiscent of Oscar Wilde.

December 1967 saw the release of Their Satanic Majesties Request (UK number 3; US 2), released shortly after the Beatles' Sgt. Pepper's Lonely Hearts Club Band.<ref name=stonemag /> Satanic Majesties was recorded in difficult circumstances while Jagger, Richards and Jones were in and out of jail. (Bill Wyman wrote and sang a track on the album — "In Another Land" — and the front cover of the album had a kaleidoscope picture.) Jagger was a strong advocate of the psychedelic sound of the album, but rarely have any songs from the record been played live. Though the band has released psychedelic tracks, Satanic Majesties is an anomaly. It also marked the first time the Stones produced their own album.

By early 1968 the Stones had acquired Allen Klein as their new manager. The band spent the first few months of the year compiling material for their next album. Those sessions resulted in the song "Jumpin' Jack Flash", released as a single in May. The song, and later that year the resulting album, Beggars Banquet (UK number 3; US 5), marked the band's return to its blues roots with new producer Jimmy Miller. Featuring the album's lead single, "Street Fighting Man", and the opening track "Sympathy for the Devil", Beggars Banquet is another eclectic mix of country and blues-inspired tunes and was hailed as an achievement for the Stones at the time of its release. On the musical evolution between albums, Richards said, "There is a change between material on Satanic Majesties and Beggars Banquet. I'd grown sick to death of the whole Maharishi guru shit and the beads and bells. Who knows where these things come from, but I guess [the music] was a reaction to what we'd done in our time off and also that severe dose of reality. A spell in prison... will certainly give you room for thought... I was fucking pissed with being busted. So it was, 'Right we'll go and strip this thing down.' There's a lot of anger in the music from that period."<ref name=according /> During this time Richards started using open tunings, most prominently a 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single "Honky Tonk Women", "Brown Sugar" (Sticky Fingers, 1971), "Tumbling Dice", "Happy", (Exile on Main St., 1972), and "Start Me Up" (Tattoo You, 1981). Open tunings lead to Stones' (and Richards') trademark guitar sound.

By the release of Beggars Banquet Brian Jones had contributed sporadically and was more troubled. Jagger said that Jones was "not psychologically suited to this way of life." <ref name=according/> His drug use had become a hindrance, and he was unable to obtain a U.S. visa. In a June meeting at Jones' house between Jagger, Richards, Watts, Richards said that Jones admitted that he couldn't "go on the road again." All agreed to let Jones, according to Richards, "...say I've left, and if I want to I can come back.'"<ref name=RSkeith /> His replacement was the 21-year-old guitarist Mick Taylor, of John Mayall's Bluesbreakers, who started recording with the band immediately. On July 3, 1969, less than a month later, Jones drowned in the pool at his Cotchford Farm home in Sussex.

Image:Taylorrichards.jpg
Mick Taylor (left) with Keith Richards.

1969-1974

Despite the death of Brian Jones two days previously, a scheduled concert in London's Hyde Park went ahead in front of an estimated 250,000 fans.<ref name=stonemag /> The band had just released "Honky Tonk Women" on 3 July, coinciding with the death. The band's performance was captured by a Granada Television production team, later to be shown on British television as Stones in the Park. Jagger read an excerpt from Percy Bysshe Shelley's elegy Adonais and released thousands of butterflies in memory of Jones.<ref name=stonemag /> The concert was the first gig for the band in a little over a year .<ref name=rockhall />

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The release of Let It Bleed (UK number 1 ; US 3) came in December. Their last album of the Sixties, Let It Bleed featured "Gimme Shelter", "You Can't Always Get What You Want", "Midnight Rambler", as well as a cover of Robert Johnson's "Love in Vain". Jones is featured on two tracks and Taylor is also featured on two tracks. Most of these songs became part of the live show for the resulting tour of America, their first in three years. The tour culminated with the band's staging of the Altamont Free Concert, at the disused Altamont Speedway, about 60km east of San Francisco. With the Hell's Angels providing security, Meredith Hunter, was stabbed and beaten to death by the Angels.<ref>Burks, John, "Rock & Roll's Worst Day: The aftermath of Altamont", Rolling Stone, 1970-02-07, URL retrieved 2007-04-18.</ref> The tour and "Altamont" were documented in Albert and David Maysles' film Gimme Shelter. As a response to the growing popularity of bootleg recordings, the live album Get Yer Ya-Yas Out! (UK #1; US #6) was released in 1970 and was considered by critic Lester Bangs the best live record ever.<ref>Bangs, Lester. "The Rolling Stones: Get Yer Ya-Ya's Out". Rolling Stone. November 12 1970 (accessed 28 April 2007).</ref>

By 1969, the band's 1963 contract with Decca Records ended, and the Stones formed their own record company, Rolling Stones Records. Sticky Fingers (UK number 1; US 1), released in March 1971, was the band's first album on their own label. The album contains one of their best known hits, "Brown Sugar", and the country-influenced "Wild Horses". Both were recorded at Alabama's Muscle Shoals Sound Studio during the 1969 American tour.

Sticky Fingers continued the band's immersion into heavily blues-influenced compositions. The album is noted for its "loose, ramshackle ambience"<ref>"Sticky Fingers" allmusic, accessed 30 August 2007</ref> and marked Mick Taylor's first full release with the band. Taylor collaborated on several songs with Jagger, like "Sway" and "Moonlight Mile", partially because of Richards' drug addictions and resulting unreliability. However, when released, all original songs were credited to "Jagger/Richards".

Following the release of Sticky Fingers, the Stones left England after allegations by the UK Inland Revenue service of unpaid income tax. The band moved to the South of France where Richards rented a chateau, Villa Nellcôte, and sublet rooms to band members and entourage. Using the Rolling Stones Mobile Studio they continued recording sessions that stretched as far back as 1969. The subsequent recordings were finished at Sunset Sound in Los Angeles by the band. The resulting double album, Exile on Main St. (UK number 1 ; US 1), was released in May 1972. Given an A+ grade by critic Robert Christgau<ref>"Reviews - The Rolling Stones" Robert Christgau, accessed 30 August 2007</ref> and disparaged by Lester Bangs — who reversed his opinion within months —Exile is now accepted as one of the Stones' best albums.<ref>"Exile on Main St."AMG, 2007. accessed 16 October 2007</ref> The film Cocksucker Blues, never officially released, documents the subsequent, highly publicised 1972 North American ("STP") Tour, with its retinue of jet set hangers-on. The band's early 1973 Pacific Tour saw them banned from playing in Japan and almost banned from Australia.

Image:Rstones3.jpg
The Rolling Stones on tour, 1972.

In November 1972, the band began sessions in Kingston, Jamaica for their follow-up to Exile, Goats Head Soup (UK number 1 ; US 1) (1973). The album spawned the worldwide hit "Angie", but proved the first in a string of commercially successful but tepidly received studio albums.<ref>Erlewine, Stephen Thomas. The Rolling Stones "Goats Head Soup". allmusic. 2007 (accessed 17 June 2007).</ref> The sessions for Goats Head Soup led to a number of outtakes, most notably an early version of the popular ballad "Waiting on a Friend", not released until Tattoo You eight years later. The making of the record was hindered by another legal battle over drugs, this one dating back to their stay in France.

The band went to Musicland studios in Munich to record their next album, 1974's It's Only Rock 'n Roll (UK 2; US 1), but Jimmy Miller, who had drug abuse issues, was no longer producer. Instead, Jagger and Richards assumed production duties and were credited as "the Glimmer Twins". Both the album and the single of the same name were hits, even without an immediate tour to promote them.

Nearing the end of 1974, Taylor began to get impatient because there had been no tours since October 1973.<ref>"Mick Taylor Biography" allmusic, accessed 25 June 2007</ref> The band found itself in a stalemate, with members opting to spend time abroad between recording sessions, while Jagger was getting exasperated with Richards, whose behaviour was becoming increasingly erratic and self-indulgent. The other members of the band ended up paying the fines and legal bills resulting from Richards' convictions, which led to the band being denied entry to certain countries and to missed income for all. Taylor spent his time helping Jagger compose and record songs in the studio, while Richards was often absent. Jagger promised Taylor recognition for his contributions in the form of official credits on tracks. When this did not happen, and with no tour in sight by the end of 1974 and a recording session already booked in Munich to record another album, Taylor quit The Rolling Stones.<ref>Smith, Curtis. "Why Mick Taylor Quit the Stones" micktaylor.net, accessed 25 June 2007</ref> Taylor said in 1980, "I was getting a bit fed up. I wanted to broaden my scope as a guitarist and do something else... I wasn't really composing songs or writing at that time. I was just beginning to write, and that influenced my decision... There are some people who can just ride along from crest to crest; they can ride along somebody else's success. And there are some people for whom that's not enough. It really wasn't enough for me."<ref>Obrecht, Jas: "Mick Taylor: Ex-Rolling Stones On His Own", page 20. Guitar World, Feb. 1980.</ref>

1974-1982

The Stones used the recording sessions in Munich to audition replacements for Taylor. Guitarists as stylistically far-flung as Humble Pie lead Peter Frampton and ex-Yardbirds virtuoso Jeff Beck were auditioned. Rory Gallagher and Shuggie Otis also dropped by the Munich sessions. American session players Wayne Perkins and Harvey Mandel also appeared on much of the album. Yet, Richards and Jagger also wanted the Stones to remain purely a British band. When Ron Wood walked in and jammed with the band, Richards and everyone else knew he was the one. Wood had already recorded and played live with Richards and already contributed to the recording and writing of It's Only Rock 'n Roll. The album, Black and Blue (UK 2; US 1) (1976), featured all their contributions. Though he initially declined Jaggers offer to become a full member of the Stones because of his ties to the The Faces, Wood committed to the Stones in 1975 for their upcoming Tour of the Americas. At the insistence of Wyman and Watts, Wood was eventually made a full member in the 80s. The 1975 Tour of the Americas kicked off with the band performing on a flatbed trailer being pulled down Broadway in New York City. The tour featured stage props including a giant phallus and a rope on which Jagger swung out over the audience.

Although The Rolling Stones remained popular through the first half of the 1970s, music critics had grown increasingly dismissive of the band's output, and record sales failed to meet expectations.<ref name= rockhall/> Jagger had booked a live recording session at the El Mocambo club in Toronto to balance a long-overdue live album, 1977's Love You Live (UK 3; US 5), the first Stones live album since 1970's Get Yer Ya-Ya's Out!. Richards' addiction to heroin delayed his arrival in Toronto; the other members had already assembled, awaiting Richards, and sent him a telegram asking him where he was. On February 24, 1977, Richards and his family flew in from London on a direct BOAC flight and were detained by Canada Customs after being found in possession of a burnt spoon and hash residue. On March 4, Richards' common law wife Anita Pallenberg plead guilty to drug possession and was fined for the original airport event.<ref name=Sandford227>Sandford, Christopher. Keith Richards: Satisfaction, Caroll & Graf: New York, 2003, p. 227</ref> On Sunday, February 27th, after two days of Stones rehearsals, armed with legal arrest warrants for Pallenberg, the Royal Canadian Mounted Police discovered "22 grams of heroin"<ref name=rvr518>Greenspan, Edward (editor), Regina v. Richards 49 C.C.C. (2d), Canadian Criminal Cases (1980), Canada Law Book. p. 518</ref> in Richards' room. Richards was charged with importing narcotics into Canada, which carried a minimum seven-year sentence upon conviction.<ref name=Sandford225>Sandford, Christopher. Keith Richards: Satisfaction, Caroll & Graf: New York, 2003, p. 225</ref> Later the Crown prosecutor conceded that Richards had procured the drugs after arrival.<ref name=rvr>Greenspan, Edward (editor), Regina v. Richards 49 C.C.C. (2d), Canadian Criminal Cases (1980), Canada Law Book. p.517-527</ref> Despite the arrest, the band played two shows in Toronto, only to raise more controversy when Margaret Trudeau was seen partying with the band after the show. These two shows were kept secret from the public and the El Mocambo had been booked for the entire week by April Wine for a recording session. A local radio station ran a contest for free tickets to see April Wine and the winners were allowed to pick a night to see the band. The winners that picked tickets for the Friday or Saturday night were surprised to find that the Stones were playing <ref name=Sandford227 />

The drug case dragged on for over a year until Richards received a suspended sentence and was ordered to play two free concerts for the CNIB in Oshawa, Ontario.<ref name=rvr /> This sparked one of Richards' first musical projects outside the Stones (with more to come as Jagger's own solo interests dawned in the 1980s), as he and Wood formed a band, The New Barbarians, to perform at the shows. This motivated a final, concerted attempt to end his drug habit, which proved largely successful.<ref name=stonemag /> It also coincided with the end of his relationship with Pallenberg, which had become strained since the death of their third child (an infant son named Tara) and her inability to curb her heroin addiction while Keith struggled to get clean.<ref>Sandford, Christopher. Keith Richards: Satisfaction, Caroll & Graf: New York, 2003, p. 232-3, 248-250</ref>

While Richards was settling his legal and personal problems, Jagger continued his jet-set lifestyle. He was a regular at New York's Studio 54 disco club, often in the company of model Jerry Hall. His marriage to Bianca ended in 1977. By this time, punk rock had become influential, and the Stones were criticised as decadent, aging millionaires,<ref name=stonemag /> and their music considered by many to be stagnant or irrelevant.<ref name=AMGsomegirls> Erlewine , Stephen Thomas




.    Some Girls 
. AMG
. allmusic 
   

. Retrieved on 2006-06-01. </ref>

In 1978, the band released Some Girls (UK #2; US #1), which included the hit single "Miss You", the country ballad "Far Away Eyes", "Beast of Burden", and "Shattered". In part a response to punk, many songs were fast, basic, guitar-driven rock and roll.<ref name=AMGsomegirls/> The album's success re-established the Stones' immense popularity among young people. After the US Tour 1978, the group did not tour Europe the following year, breaking the routine of touring Europe every three years that the band had followed since 1967.

Entering the 1980s on a renewed commercial high due to the success of Some Girls, the band released its next album Emotional Rescue (UK 1; US 1) in mid-1980. The recording of the album was reportedly plagued by turmoil, with Jagger and Richards' relationship reaching a new low. Richards, more sober than during the previous ten years, began to assert more control in the studio — more than Jagger had become used to — and a struggle ensued as Richards felt he was fighting for "his half of the Glimmer Twins."[citation needed] Though Emotional Rescue hit the top of the charts on both sides of the Atlantic, it was panned as lackluster and inconsistent. Some felt it was a poor imitation of its predecessor.[citation needed]

In early 1981, the group reconvened and decided to tour the US that year, leaving little time to write and record a new album, as well as rehearse for the tour. That year's resulting album, Tattoo You (UK 2; US 1) featured a number of outtakes, including lead single "Start Me Up". Two songs ("Waiting on a Friend" and "Tops") featured Mick Taylor's guitar playing, while jazz saxophonist Sonny Rollins played on "Slave" and dubbed a part on "Waiting on a Friend". The Stones' American Tour 1981 was their biggest, longest and most colourful production to date, with the band playing from September 25th through December 19th. It was the highest grossing tour of that year. Some shows were recorded, resulting in the 1982 live album Still Life (American Concert 1981) (UK 4 / US 5), and the 1983 Hal Ashby concert film Let's Spend the Night Together which was filmed at Sun Devil Stadium in Phoenix, Arizona and the Brendan Byrne Arena in the Meadowlands, New Jersey.

In mid-1982, to commemorate their 20th anniversary, the Stones took their American stage show to Europe. European Tour 1982 was their first European tour in six years. The tour was essentially a carbon copy of the 1981 American tour. For the tour, the band was joined by former Allman Brothers Band piano player Chuck Leavell, who continues to play and record with the Stones. By the end of the year, the band had signed a new four-album, 28 million dollar recording deal with a new label, CBS Records.

1983-1991

Image:Tongue (Rolling Stones).svg
The Rolling Stones' "Tongue and Lip Design" logo;
was designed by John Pasche.[1]

Before leaving Atlantic the Stones released Undercover (UK 3; US 4) in late 1983. Despite good reviews the record sold below expectations and there was no tour to support it. Subsequently the Stones new marketer/distributor CBS Records which took over distributing the Stone's Atlantic catalogue.

By this time the Jagger/Richards split was growing. Jagger had signed a solo deal with CBS to be distributed by Columbia, much to the consternation of Richards. Jagger spent much of 1984 writing songs for his first solo effort and as he admitted, he began to feel stultified within the framework of the Stones. In 1985, co-founder, pianist, road manager and long-time friend Ian Stewart died of a heart attack. According to Richards, Stewart's death left the band without a moderating force that could have helped during a period which, according to Richards, he and Jagger waged "WW III". By 1985, Jagger was spending more time on solo recordings and much of the material on 1986's Dirty Work (UK 4; US 4) was by Keith Richards, with more contributions by Ron Wood than on previous Stones albums. Rumors surfaced of the two rarely, if ever, being in the studio at the same time and Richards trying to keep it all afloat. Jagger refused to tour in support of the record feeling that several band members — including Charlie Watts who was fighting a heroin addiction[citation needed] — were in no shape to tour. Reviews were mixed although many fans at this time feel it was the nadir of the group. The Stones were awarded a Grammy Award for Lifetime Achievement. Jagger's solo records, She's the Boss (UK 6; US 13) (1985) and Primitive Cool (UK 26; US #41) (1987), met with moderate success, yet Richards disparaged both. With the Stones inactive due to Jagger's solo career and feeling he was backed into a corner, Richards released his first solo album in 1988, Talk Is Cheap (UK 37; US 24), which fans and critics received well, going Gold in U.S. Included on the Talk Is Cheap album was the song "You Don't Move Me", Richards' stab at his estranged songwriting partner.

In early 1989, The Rolling Stones, including Mick Taylor, Ronnie Wood and Ian Stewart (posthumously), were inducted into the American Rock and Roll Hall of Fame. Jagger and Richards appeared to have developed a new understanding and they recorded an album as The Rolling Stones, which became Steel Wheels (UK 2; US 3). Heralded as a return to form, it included the singles "Mixed Emotions", "Rock and a Hard Place" and "Almost Hear You Sigh". Additionally, the album included "Continental Drift" recorded with Bachir Attar and the Master Musicians of Jajouka in Tangier in 1989.

The subsequent U.S. Steel Wheels Tour saw the Stones touring for the first time in seven years (since Europe 1982), and it was their biggest stage production to date. The opening acts were Living Colour and Guns N' Roses. By the time the tour reached Europe in 1990, the name had been changed to the Urban Jungle Tour. Recordings from the tour produced the 1991 live album Flashpoint (UK 6; US 16). The live album included two songs recorded in 1991, the single "Highwire" and "Sex Drive". This tour was the last for Bill Wyman who, after years of deliberation and increasing unwillingness to tour any longer, left the band, although it was not made official until 1993. He then published Stone Alone, an autobiography, based on memoirs he had been writing since the early days in London. A few years later, he formed Bill Wyman's Rhythm Kings and began recording and touring again.

1992-1999

After the successes of Steel Wheels/Urban Jungle tours, the band took a break. Charlie Watts released two jazz albums; Ronnie Wood made his fifth solo album, the first in 11 years, called Slide On This; Keith Richards released his second solo album in late 1992, Main Offender (UK 45; US 99) and did a small tour including big concerts in Spain and Argentina. Mick Jagger got good reviews and sales with his third solo album Wandering Spirit (UK 12; US 11). The album sold more than two million copies worldwide, going Gold in U.S.

After Wyman's departure, the Stones' new distributor/record label, Virgin Records, remastered and repackaged the band's back catalogue from Sticky Fingers to Steel Wheels without the three live albums, and issued another hits compilation in 1993 entitled Jump Back (UK 16; US 30). By 1993 the Stones set upon their next studio album. Darryl Jones, former sideman of Miles Davis and Sting, was chosen by Charlie Watts as Wyman's replacement for 1994's Voodoo Lounge (UK 1; US 2). The album met strong reviews and sales, going double platinum in the US. Reviewers took note of the album's "traditionalist" sounds, which were credited to the Stones' new producer Don Was.<ref>"Voodoo Lounge"AMG, 2007. accessed 3 September 2007</ref> It would go on to win the 1995 Grammy Award for Best Rock Album.

1994 also brought the accompanying Voodoo Lounge Tour, which lasted into 1995. Various recorded shows and rehearsals (mostly acoustic) made up Stripped (UK 9; US 9), which featured a cover of Bob Dylan's "Like a Rolling Stone", as well as infrequently played songs like "Shine a Light", "Sweet Virginia" and "The Spider and the Fly". This album tour was the first to showcase the talents of Lisa Fischer singing alongside Jagger in "Gimme Shelter", and the appearance of Bernard Fowler, both strong backup singers who became regulars on the Stones tours.

The Rolling Stones ended the 1990s with the album Bridges to Babylon (UK 6; US 3), released in 1997 to mixed reviews. The video of the single "Anybody Seen My Baby?" featured Angelina Jolie as guest and met steady rotation on both MTV and VH1. Sales were reasonably equivalent to those of previous records (about 1.2 million copies sold in U.S), and the subsequent international tour Bridges to Babylon Tour that crossed Europe, North America and other destinations proved the band to be a strong live attraction. Once again, a live album was culled from the tour, No Security (UK 67; US 34), only this time all but two songs ("Live With Me" and "The Last Time") were previously unreleased on live albums. In 1999, the Stones staged the No Security Tour in the U.S and continued and finished the Babylon tour in Europe. The No Security Tour was a stripped down affair without all the pyrotechnics and mammoth stages.

2000-present

In late 2001, Mick Jagger released his fourth solo album Goddess in the Doorway (UK 44; US 39), which met mixed reviews. Keith Richards called the album "Dogshit in the Doorway."<ref>Alive and kicking</ref> Jagger and Richards took part in "The Concert for New York City", performing "Salt of the Earth" and "Miss You" with a backing band.

In 2002, the band released Forty Licks (UK 2; US 2), a greatest hits album to mark their forty years as a band. The collection contained four new songs recorded with the latter-day core band of Jagger, Richards, Watts, Wood, Leavell and Jones. The album has sold more than 7 million copies worldwide. The same year, Q magazine named The Rolling Stones as one of the "50 Bands To See Before You Die",<ref>"Q - 50 Bands You Must See Before You Die"rocklist.neyt, September 2002. accessed 7 June 2007</ref> and the 2002-2003 Licks Tour gave people that chance. On 30 July 2003, the band headlined the Molson Canadian Rocks for Toronto concert in Toronto, Ontario, Canada, to help the city — which they had frequently used for rehearsals — recover from the 2003 SARS epidemic. The concert was attended by an estimated 490,000 people.

Image:Keith Richards Hannover 2006.jpg
Keith Richards in Hannover, 2006, during the A Bigger Bang Tour

On 9 November 2003, the band played its first concert in Hong Kong as part of the Harbour Fest celebration, also in support of the SARS-affected economy. In November of 2003, the band exclusively licensed the right to sell their new 4-DVD boxed set, Four Flicks, recorded on the band's most recent world tour, to the U.S. Best Buy chain of stores. In response, some Canadian and U.S. music retail chains (including HMV Canada and Circuit City) pulled Rolling Stones CDs and related merchandise from their shelves and replaced them with signs explaining the situation.<ref>"Some U.S. retailers join Stones boycott"CNN, November 2003. accessed 14 June 2007</ref> In 2004, a double live album of the Licks Tour, Live Licks (UK 38; US 50) was released, going Gold in U.S.

On July 26 2005, Jagger's birthday, the band announced the name of their new album, A Bigger Bang (UK 2; US 3), their first album in almost eight years. A Bigger Bang was released on September 6 to strong reviews, including a glowing write-up in Rolling Stone (noted for its consistent support of the group).<ref>"A Bigger Bang: Review" Rolling Stone, 22 September 2005. accessed 14 June 2007</ref> The album included the most controversial song from the Stones in years, "Sweet Neo Con", a criticism of American Neoconservatism from Jagger.<ref>"Stones 'slate Bush' in album song"BBC News, 2005. accessed 16 October 2007</ref> The song was reportedly almost dropped from the album due to objections from Richards. When asked if he was afraid of political backlash that the Dixie Chicks had endured for criticism of American involvement in the war in Iraq, Richards responded that the album came first, and that, "I don't want to be sidetracked by some little political "storm in a teacup".<ref>[2]CNN News, 2005. accessed 27 November 2007</ref> The subsequent A Bigger Bang Tour began in August 2005, and visited North America, South America and East Asia. In February 2006, the group played the half-time show of Super Bowl XL in Detroit, Michigan. By the end of 2005, the Bigger Bang tour set a record of $162 million in gross receipts, breaking the North American mark also set by the Stones in 1994. Later that month, the band played to a claimed 1.5 million on the Copacabana beach in Rio de Janeiro in a free concert. After performances in New Zealand, Keith Richards went to hospital on May 2006 for brain surgery after a dubious "fall from a coconut tree"<ref>"KEITH RICHARDS AND THE FIJI FALL: THE MYSTERY DEEPENS"Uncut. accessed 5 October 2007</ref> on Fiji, causing a six-week postponement of the European leg of the tour.

The following month, it was reported that Ron Wood was entering rehabilitation for alcohol abuse. The Stones returned to North America for concerts in September 2006, and returned to Europe on June 5, 2007. By November 2006, the Bigger Bang tour had been declared the highest-grossing tour of all time, earning $437 million. The North American leg brought in the third-highest receipts ever ($138.5 million), trailing their own 2005 tour ($162 million) and the U2 tour of that same year ($138.9 million).<ref>"Stones Roll Over U2 To Claim Highest Grossing Concert Tour"All Headline News, 29 November 2006</ref> The Stones show in Horsens, Denmark, drew 85,000 people, the largest audience at any show on the scheduled part of the tour.

In late October 2006, filmmaker Martin Scorsese filmed the Stones at New York City's Beacon Theater, featuring an audience that included several world leaders, for release in 2008 titled Shine a Light<ref>"Shine A Light"Internet Movie Database, 16 January 2007</ref> which includes performances with Jack White and Christina Aguilera. On March 24, 2007, the band announced a tour of Europe called the "Bigger Bang 2007" tour. June 12, 2007 saw the release of the Stones' second four-disc DVD set entitled The Biggest Bang, a seven-hour document featuring the band's shows in Austin, Rio de Janeiro, Saitama, Japan, Shanghai, and Buenos Aires, as well as extras. As with their first DVD set, the collection will be sold exclusively through Best Buy.<ref>"Best Buy Brings The Biggest Bang to Life for Rolling Stones Fans"Yahoo!, 30 May 2007</ref>

Image:Charlie Watts Hannover 19-07-2006.jpg
Charlie Watts in Hannover, 2006

On June 10, 2007, the band performed their first gig at a festival in 30 years, at the Isle of Wight Festival, to a crowd of 50,000. On August 26, 2007 they played their last concert of the A Bigger Bang Tour. Mick Jagger released a compilation of his solo work called The Very Best Of Mick Jagger (UK 57; US 77) including 3 unreleased songs on October 2, 2007. Rumours for a new tour in 2008 were confirmed by Ronnie Wood in a recent interview.[citation needed]

On September 26, 2007, it was announced The Rolling Stones had made $437 million on the A Bigger Bang Tour to list them in the latest edition of Guinness World Record.<ref>MSNBC< Another Stones record — this one in Guinness</ref>

On November 12, 2007, the double compilation [[Rolled Gold+: The Very Best of the Rolling Stones]] (UK 26) was re-released for the Christmas season.

Musical evolution

The Rolling Stones are extremely notable in modern popular music for assimilating various musical genres into their recording and performance; ultimately making the styles their very own. The band's career is marked by a continual reference and reliance on musical styles like American blues, country, folk, reggae, dance; world music exemplified by the Master Musicians of Jajouka; as well as traditional English styles that use stringed instrumentation like harps. The band cut their musical teeth by covering early rock and roll and blues songs, and have never stopped playing live or recording cover songs.

Infusion of American Blues

Often the first instances of this come through the Stones' use of a blues-based R&B sound. Jagger and Richards' shared interest in the Americans Jimmy Reed, Muddy Waters, and Little Walter, were influential on the band's leader, Brian Jones, of whom Richards says, "He was more into T-Bone Walker and jazz-blues stuff. We'd turn him onto Chuck Berry and say, 'Look, it's all the same shit, man, and you can do it.'"<ref name=RSkeith /> Charlie Watts, a traditional jazz drummer, was also turned onto the blues after his introduction to the Stones. "Keith and Brian turned me on to Jimmy Reed and people like that. I learned that Earl Phillips was playing on those records like a jazz drummer, playing swing, with a straight four..."<ref name=according />

Jagger, recalling when he first heard the likes of Chuck Berry, Bo Diddley, Muddy Waters, Fats Domino and other heavies of the American blues scene, said it "seemed the most real thing"<ref>Davin SeayMick Jagger:The Story Behind the Rolling Stone. York: Birch Lane Press, 1993. </ref> he had heard up to that point. Similarly, Keith Richards, describing the first time he listened to Muddy Waters, said it was the "most powerful music [he had] ever heard...the most expressive."<ref>Robert Gordon. Can't Be Satisfied New York: Little, Brown and Company, 2002.</ref> These strong early impressions helped fuse the music of the American Blues into the foundation of the Rolling Stones.

Early songwriting

Despite the Stones' prevalance for blues and R&B numbers on their early live setlists, the first original compositions by the band reflected a more wide-ranging interest. The first Jagger/Richards single, "Tell Me (You're Coming Back)," is called by critic Richie Unterberger a "pop/rock ballad... When [Jagger and Richards] began to write songs, they were usually not derived from the blues, but were often surprisingly fey, slow, Mersey-type pop numbers."<ref>"Tell Me"allmusic, accessed 14 December 2007</ref> "As Tears Go By," the ballad originally written for Marianne Faithfull, was one of the first songs written by Jagger and Richards and also one of many written by the duo for other artists. Jagger said of the song, "It's a relatively mature song considering the rest of the output at the time. And we didn't think of [recording] it, because the Rolling Stones were a butch blues group."<ref name=jaggerremembers> Wenner , Janner




.    Jagger Remembers 
. Rolling Stone
. Rolling Stone 
   

. Retrieved on 2006-12-14. </ref> The Stones did record a version which became a top five hit in the U.S.<ref>"As Tears Go By"allmusic, accessed 14 December 2007</ref>

On the early experience, Richards said, "The amazing thing is that alothough Mick and I thought these songs were really puerile and kindergarten-time, every one that got put out made a decent showing in the charts. That gave us extraordinary confidence to carry on, because at the beginning songwriting was something we were going to do in order to say to Andrew [Loog Oldham], 'Well, at least we gave it a try...'"<ref name=according /> Jagger said, "We were very pop-oriented. We didn't sit around listening to Muddy Waters; we listened to everything. In some ways it's easy to write to order... Keith and I got into the groove of writing those kind of tunes; they were done in ten minutes. I think we thought it was a bit of a laugh, and it turned out to be something or an apprenticeship for us." <ref name=according />

Band members

Line-ups

(1962)

with

(1962-1963)
  • Mick Jagger - lead vocals, harmonica, percussion
  • Keith Richards - guitars, backing vocals
  • Brian Jones - guitars, backing vocals, harmonica, percussion
  • Bill Wyman - bass
  • Ian Stewart - piano, keyboards, percussion
(1963-1969)
(1969-1974)
  • Mick Jagger - lead vocals, harmonica, keyboards, percussion, guitar
  • Keith Richards - guitars, vocals, bass, keyboards
  • Mick Taylor - guitars, bass, synthesizer, percussion, backing vocals
  • Charlie Watts - drums, percussion
  • Bill Wyman - bass, synthesizer
(1974-1993)
  • Mick Jagger - lead vocals, harmonica, keyboards, guitar
  • Keith Richards - guitars, vocals, bass
  • Ron Wood - guitars, backing vocals, percussion, bass
  • Charlie Watts - drums, percussion
  • Bill Wyman - bass, synthesizer
(1993-present)
  • Mick Jagger - lead vocals, harmonica, percussion, guitar, bass, keyboards
  • Keith Richards - guitars, vocals, bass, keyboards
  • Ron Wood - guitars, backing vocals, bass
  • Charlie Watts - drums, percussion

Discography

Modèle:See

Tours

Videography

See also

References

<references />

Further reading

External links

Modèle:Commoncat


Modèle:The Rolling Stones

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